The Dance Partner
Diane Glancy sees books as being akin to maps, and often finds the Native American voices she writes about as she travels. Once, when driving through western Nevada, she stopped at Grant Mountain and Walker Lake, where the Ghost Dance began and still lives. There she found inspiration for The Dance...
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| Médium: | Online |
| Jazyk: | angličtina |
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Michigan State University Press
2025
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| On-line přístup: | ONIX_20250808T103036_9781609178062_51 |
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| _version_ | 1869529729124532224 |
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| author | Glancy, Diane |
| author_browse | Glancy, Diane |
| author_facet | Glancy, Diane |
| author_sort | Glancy, Diane |
| collection | Directory of Open Access Books |
| description | Diane Glancy sees books as being akin to maps, and often finds the Native American voices she writes about as she travels. Once, when driving through western Nevada, she stopped at Grant Mountain and Walker Lake, where the Ghost Dance began and still lives. There she found inspiration for The Dance Partner, this outstanding collection of short stories that begins in the present, jumps back to the time of the Ghost Dance, goes further back to the Sioux Uprising, and then moves forward again across 117 years of Plains Indian history. The Ghost Dance was a late 19th-century phenomenon among Native American groups in the West. Followers believed that whites would disappear and that the "oldways of living" would return. In fact, Glancy's stories form a kind of Ghost Dance, circling what is with what was and will be. History is not in the past at all, but has a presence in the present in a way that transforms the future. In a culture where much has been erased, forgotten, or lost, the fragments of what is known are woven with the possibilities of what could have been in a technique that is called ghosting. Ghosting in writing presents voices that might have been alongside voices known to have been. Glancy takes the words of Native Americans, Porcupine and Kicking Bear, along with those of ethnologist James Mooney, and adds imagined voices. The past roams into the present. History comes down the road in many vehicles, out of chronological order, carnival trucks with different rides, each setting up unreality in funhouse mirrors that distort them into new ways of seeing is true. Glancy writes from a historical perspective and the imagination of what could have been. In the end, the Ghost Dance symbolizes the possibility of a rewritten life. |
| format | Online |
| id | doab-20.500.12854ir-164921 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Michigan State University Press |
| publisherStr | Michigan State University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1649212025-08-09T05:15:55Z The Dance Partner Glancy, Diane Indigenous North Americans thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples Diane Glancy sees books as being akin to maps, and often finds the Native American voices she writes about as she travels. Once, when driving through western Nevada, she stopped at Grant Mountain and Walker Lake, where the Ghost Dance began and still lives. There she found inspiration for The Dance Partner, this outstanding collection of short stories that begins in the present, jumps back to the time of the Ghost Dance, goes further back to the Sioux Uprising, and then moves forward again across 117 years of Plains Indian history. The Ghost Dance was a late 19th-century phenomenon among Native American groups in the West. Followers believed that whites would disappear and that the "oldways of living" would return. In fact, Glancy's stories form a kind of Ghost Dance, circling what is with what was and will be. History is not in the past at all, but has a presence in the present in a way that transforms the future. In a culture where much has been erased, forgotten, or lost, the fragments of what is known are woven with the possibilities of what could have been in a technique that is called ghosting. Ghosting in writing presents voices that might have been alongside voices known to have been. Glancy takes the words of Native Americans, Porcupine and Kicking Bear, along with those of ethnologist James Mooney, and adds imagined voices. The past roams into the present. History comes down the road in many vehicles, out of chronological order, carnival trucks with different rides, each setting up unreality in funhouse mirrors that distort them into new ways of seeing is true. Glancy writes from a historical perspective and the imagination of what could have been. In the end, the Ghost Dance symbolizes the possibility of a rewritten life. 2025-08-09T05:15:54Z 2025-08-09T05:15:54Z 2025-08-08T08:34:22Z 2005 book ONIX_20250808T103036_9781609178062_51 https://library.oapen.org/handle/20.500.12657/105206 9781609178062 https://directory.doabooks.org/handle/20.500.12854/164921 eng open access image/jpeg Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/105206/1/9781609178062.pdf Michigan State University Press 10.14321/dg.tdp.102005 10.14321/dg.tdp.102005 aa7f6664-5117-41d8-90f8-c3af56526b92 712d15aa-43d2-450a-8c7d-c17cc8b223da b5941080-3f20-4864-95c6-753acff7c9f4 9781609178062 Big Ten Open Books East Lansing [...] Big Collection Initiative Big Ten Academic Alliance Committee on Institutional Cooperation 10.13039/100026234 open access |
| spellingShingle | Indigenous North Americans thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples Glancy, Diane The Dance Partner |
| title | The Dance Partner |
| title_full | The Dance Partner |
| title_fullStr | The Dance Partner |
| title_full_unstemmed | The Dance Partner |
| title_short | The Dance Partner |
| title_sort | dance partner |
| topic | Indigenous North Americans thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples |
| topic_facet | Indigenous North Americans thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples |
| url | ONIX_20250808T103036_9781609178062_51 |
| work_keys_str_mv | AT glancydiane thedancepartner AT glancydiane dancepartner |