Music vis-à-vis Other Arts in Eastern and Central Europe
This Special Issue revisits Joyce Michel’s influential 1959 essay on music's relationship to other arts, extending its transdisciplinary spirit into new historical and cultural contexts. It explores how music interacts with literature, visual art, theater, cinema, dance, and philosophy—not simply as...
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| Aineistotyyppi: | Online |
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| Kieli: | englanti |
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MDPI - Multidisciplinary Digital Publishing Institute
2025
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| Linkit: | ONIX_20250812T110751_9783725837342_154 |
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| _version_ | 1869531603771850752 |
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| description | This Special Issue revisits Joyce Michel’s influential 1959 essay on music's relationship to other arts, extending its transdisciplinary spirit into new historical and cultural contexts. It explores how music interacts with literature, visual art, theater, cinema, dance, and philosophy—not simply as aesthetic parallels but as deeply entangled modes of expression. The volume pays special attention to Eastern European and Soviet contexts, highlighting how music—particularly Russian rock and avant-garde composition—served as a site of resistance and innovation under ideological constraints. It examines unofficial or semi-sanctioned musical production, such as musica clandestina, alongside the work of dissident composers and hybrid artists who blurred genre boundaries. Also featured are underground journalists and zine culture, which helped shape alternative musical publics. Together, the contributions emphasize music’s role as a dynamic cultural force, especially when articulated through and against political regimes. Drawing from multiple disciplines, this volume affirms music’s enduring capacity to generate meaning in dialogue with other art forms, offering new insights into its multifaceted role in 20th-century and post-Soviet artistic landscapes. |
| format | Online |
| id | doab-20.500.12854ir-165398 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | MDPI - Multidisciplinary Digital Publishing Institute |
| publisherStr | MDPI - Multidisciplinary Digital Publishing Institute |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1653982025-08-12T09:27:48Z Music vis-à-vis Other Arts in Eastern and Central Europe Ioffe, Dennis Daniil Kharms Aldous Huxley musicalization of fiction Incidents fugato symphony passacaglia motet Mahler Fourth trick poetics Russian Formalism Institute of the Living Word Vsevolod Vsevolodskii-Gerngross Boris Eikhenbaum Sergei Bernshtein sounding artistic speech early Soviet institutions poetry performance Aygi Mnatsakanova poetry Neo-Avant-Garde minimalism musicality silence language symbolism Russian literature Andrei Bely The History of the Formation of the Self-Conscious Soul counterpoint Mikhail Glinka Nabokov Joyce music sound myth Dmitri Shostakovich Second Cello Concerto Op. 126 Andrei Sinyavsky Abram Tertz Sinyavsky–Daniel trial hidden homage “Buy my Bagels!” “Buy my Pretzels!” “Kupite Bubliki!” bard song Bulat Okudzhava poetic semantics meter theory of poetry Tchaikovsky Russian Opera musical characterization soviet music progressive rock popular music classical music soviet culture union of soviet composers censorship highbrow Berlin Cold War DJ culture Germany KGB Latvia Hardijs Lediņš performance art postmodernism USSR Westbam avant-garde in Soviet Russia Russian poetry Sergey Kuriokhin Arkady Dragomoschenko Soviet musicology Leo Mazel holistic analysis Soviet intellectual life music and mathematics cultural memory soviet avant-garde Leningrad Contemporary Music Club cultural underground Sergey Kuryokhin Soviet jazz countercultural movements Free Jazz Alexander Kan Sergei Kuriokhin Soviet avant-garde Pop Mechanics Russian underground culture political satire experimental music n/a thema EDItEUR::Q Philosophy and Religion::QD Philosophy This Special Issue revisits Joyce Michel’s influential 1959 essay on music's relationship to other arts, extending its transdisciplinary spirit into new historical and cultural contexts. It explores how music interacts with literature, visual art, theater, cinema, dance, and philosophy—not simply as aesthetic parallels but as deeply entangled modes of expression. The volume pays special attention to Eastern European and Soviet contexts, highlighting how music—particularly Russian rock and avant-garde composition—served as a site of resistance and innovation under ideological constraints. It examines unofficial or semi-sanctioned musical production, such as musica clandestina, alongside the work of dissident composers and hybrid artists who blurred genre boundaries. Also featured are underground journalists and zine culture, which helped shape alternative musical publics. Together, the contributions emphasize music’s role as a dynamic cultural force, especially when articulated through and against political regimes. Drawing from multiple disciplines, this volume affirms music’s enduring capacity to generate meaning in dialogue with other art forms, offering new insights into its multifaceted role in 20th-century and post-Soviet artistic landscapes. 2025-08-12T09:27:46Z 2025-08-12T09:27:46Z 2025 book ONIX_20250812T110751_9783725837342_154 9783725837342 9783725837335 https://directory.doabooks.org/handle/20.500.12854/165398 eng image/jpeg Attribution 4.0 International https://mdpi.com/books https://mdpi.com/books/pdfview/book/10754 MDPI - Multidisciplinary Digital Publishing Institute 10.3390/books978-3-7258-3733-5 10.3390/books978-3-7258-3733-5 46cabcaa-dd94-4bfe-87b4-55023c1b36d0 9783725837342 9783725837335 318 open access |
| spellingShingle | Daniil Kharms Aldous Huxley musicalization of fiction Incidents fugato symphony passacaglia motet Mahler Fourth trick poetics Russian Formalism Institute of the Living Word Vsevolod Vsevolodskii-Gerngross Boris Eikhenbaum Sergei Bernshtein sounding artistic speech early Soviet institutions poetry performance Aygi Mnatsakanova poetry Neo-Avant-Garde minimalism musicality silence language symbolism Russian literature Andrei Bely The History of the Formation of the Self-Conscious Soul counterpoint Mikhail Glinka Nabokov Joyce music sound myth Dmitri Shostakovich Second Cello Concerto Op. 126 Andrei Sinyavsky Abram Tertz Sinyavsky–Daniel trial hidden homage “Buy my Bagels!” “Buy my Pretzels!” “Kupite Bubliki!” bard song Bulat Okudzhava poetic semantics meter theory of poetry Tchaikovsky Russian Opera musical characterization soviet music progressive rock popular music classical music soviet culture union of soviet composers censorship highbrow Berlin Cold War DJ culture Germany KGB Latvia Hardijs Lediņš performance art postmodernism USSR Westbam avant-garde in Soviet Russia Russian poetry Sergey Kuriokhin Arkady Dragomoschenko Soviet musicology Leo Mazel holistic analysis Soviet intellectual life music and mathematics cultural memory soviet avant-garde Leningrad Contemporary Music Club cultural underground Sergey Kuryokhin Soviet jazz countercultural movements Free Jazz Alexander Kan Sergei Kuriokhin Soviet avant-garde Pop Mechanics Russian underground culture political satire experimental music n/a thema EDItEUR::Q Philosophy and Religion::QD Philosophy Music vis-à-vis Other Arts in Eastern and Central Europe |
| title | Music vis-à-vis Other Arts in Eastern and Central Europe |
| title_full | Music vis-à-vis Other Arts in Eastern and Central Europe |
| title_fullStr | Music vis-à-vis Other Arts in Eastern and Central Europe |
| title_full_unstemmed | Music vis-à-vis Other Arts in Eastern and Central Europe |
| title_short | Music vis-à-vis Other Arts in Eastern and Central Europe |
| title_sort | music vis a vis other arts in eastern and central europe |
| topic | Daniil Kharms Aldous Huxley musicalization of fiction Incidents fugato symphony passacaglia motet Mahler Fourth trick poetics Russian Formalism Institute of the Living Word Vsevolod Vsevolodskii-Gerngross Boris Eikhenbaum Sergei Bernshtein sounding artistic speech early Soviet institutions poetry performance Aygi Mnatsakanova poetry Neo-Avant-Garde minimalism musicality silence language symbolism Russian literature Andrei Bely The History of the Formation of the Self-Conscious Soul counterpoint Mikhail Glinka Nabokov Joyce music sound myth Dmitri Shostakovich Second Cello Concerto Op. 126 Andrei Sinyavsky Abram Tertz Sinyavsky–Daniel trial hidden homage “Buy my Bagels!” “Buy my Pretzels!” “Kupite Bubliki!” bard song Bulat Okudzhava poetic semantics meter theory of poetry Tchaikovsky Russian Opera musical characterization soviet music progressive rock popular music classical music soviet culture union of soviet composers censorship highbrow Berlin Cold War DJ culture Germany KGB Latvia Hardijs Lediņš performance art postmodernism USSR Westbam avant-garde in Soviet Russia Russian poetry Sergey Kuriokhin Arkady Dragomoschenko Soviet musicology Leo Mazel holistic analysis Soviet intellectual life music and mathematics cultural memory soviet avant-garde Leningrad Contemporary Music Club cultural underground Sergey Kuryokhin Soviet jazz countercultural movements Free Jazz Alexander Kan Sergei Kuriokhin Soviet avant-garde Pop Mechanics Russian underground culture political satire experimental music n/a thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| topic_facet | Daniil Kharms Aldous Huxley musicalization of fiction Incidents fugato symphony passacaglia motet Mahler Fourth trick poetics Russian Formalism Institute of the Living Word Vsevolod Vsevolodskii-Gerngross Boris Eikhenbaum Sergei Bernshtein sounding artistic speech early Soviet institutions poetry performance Aygi Mnatsakanova poetry Neo-Avant-Garde minimalism musicality silence language symbolism Russian literature Andrei Bely The History of the Formation of the Self-Conscious Soul counterpoint Mikhail Glinka Nabokov Joyce music sound myth Dmitri Shostakovich Second Cello Concerto Op. 126 Andrei Sinyavsky Abram Tertz Sinyavsky–Daniel trial hidden homage “Buy my Bagels!” “Buy my Pretzels!” “Kupite Bubliki!” bard song Bulat Okudzhava poetic semantics meter theory of poetry Tchaikovsky Russian Opera musical characterization soviet music progressive rock popular music classical music soviet culture union of soviet composers censorship highbrow Berlin Cold War DJ culture Germany KGB Latvia Hardijs Lediņš performance art postmodernism USSR Westbam avant-garde in Soviet Russia Russian poetry Sergey Kuriokhin Arkady Dragomoschenko Soviet musicology Leo Mazel holistic analysis Soviet intellectual life music and mathematics cultural memory soviet avant-garde Leningrad Contemporary Music Club cultural underground Sergey Kuryokhin Soviet jazz countercultural movements Free Jazz Alexander Kan Sergei Kuriokhin Soviet avant-garde Pop Mechanics Russian underground culture political satire experimental music n/a thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| url | ONIX_20250812T110751_9783725837342_154 |