Post-Yugoslav Cinema and the Shadows of War
Bosnia-Herzegovina is still considered a post-war country. The concept of "post-war" implies that the country and its people are tied more strongly to the past than they are oriented towards the future. Paradoxically, as long as the future is kept at bay and the post-war condition kept alive, Bosnia...
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| Главный автор: | |
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| Формат: | Online |
| Язык: | английский |
| Опубликовано: |
Amsterdam University Press
2025
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| Предметы: | |
| Online-ссылка: | ONIX_20250819T114823_9789048572779_4 |
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| _version_ | 1869522043029946368 |
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| author | Makarevic, Asja |
| author_browse | Makarevic, Asja |
| author_facet | Makarevic, Asja |
| author_sort | Makarevic, Asja |
| collection | Directory of Open Access Books |
| description | Bosnia-Herzegovina is still considered a post-war country. The concept of "post-war" implies that the country and its people are tied more strongly to the past than they are oriented towards the future. Paradoxically, as long as the future is kept at bay and the post-war condition kept alive, Bosnia maintains a certain significance on the global scene. However, living in the temporal vacuum of the post-war condition cannot be a long-term perspective. A range of post-Yugoslav films provides spectators with images that offer innovative approaches to the collective past, while simultaneously reframing contemporary experience. What the author proposes to call non-representational images appears to offer a more dynamic relationship to the past and the present, while reflecting complex processes of the formation of identity, memory, guilt, and responsibility. But if these dynamics are inherent in non-representational images, is there a way in which they can contribute to overcoming the post-war condition? |
| format | Online |
| id | doab-20.500.12854ir-166027 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Amsterdam University Press |
| publisherStr | Amsterdam University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1660272025-08-20T05:02:14Z Post-Yugoslav Cinema and the Shadows of War Makarevic, Asja Post-war condition, post-Yugoslav film, non-representation, memory studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts Bosnia-Herzegovina is still considered a post-war country. The concept of "post-war" implies that the country and its people are tied more strongly to the past than they are oriented towards the future. Paradoxically, as long as the future is kept at bay and the post-war condition kept alive, Bosnia maintains a certain significance on the global scene. However, living in the temporal vacuum of the post-war condition cannot be a long-term perspective. A range of post-Yugoslav films provides spectators with images that offer innovative approaches to the collective past, while simultaneously reframing contemporary experience. What the author proposes to call non-representational images appears to offer a more dynamic relationship to the past and the present, while reflecting complex processes of the formation of identity, memory, guilt, and responsibility. But if these dynamics are inherent in non-representational images, is there a way in which they can contribute to overcoming the post-war condition? 2025-08-20T05:02:13Z 2025-08-20T05:02:13Z 2025-08-19T09:50:17Z 2025 book ONIX_20250819T114823_9789048572779_4 https://library.oapen.org/handle/20.500.12657/105583 9789048572779 9789048559572 9789048559589 https://directory.doabooks.org/handle/20.500.12854/166027 eng open access Amsterdam University Press Amsterdam University Press 10.5117/9789048559572 10.5117/9789048559572 de2ecbe7-1037-4e96-8c3a-5a842d921e04 9789048572779 9789048559572 9789048559589 Amsterdam University Press 240 open access |
| spellingShingle | Post-war condition, post-Yugoslav film, non-representation, memory studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts Makarevic, Asja Post-Yugoslav Cinema and the Shadows of War |
| title | Post-Yugoslav Cinema and the Shadows of War |
| title_full | Post-Yugoslav Cinema and the Shadows of War |
| title_fullStr | Post-Yugoslav Cinema and the Shadows of War |
| title_full_unstemmed | Post-Yugoslav Cinema and the Shadows of War |
| title_short | Post-Yugoslav Cinema and the Shadows of War |
| title_sort | post yugoslav cinema and the shadows of war |
| topic | Post-war condition, post-Yugoslav film, non-representation, memory studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts |
| topic_facet | Post-war condition, post-Yugoslav film, non-representation, memory studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR9 Military history: post-WW2 conflicts |
| url | ONIX_20250819T114823_9789048572779_4 |
| work_keys_str_mv | AT makarevicasja postyugoslavcinemaandtheshadowsofwar |