Improvising Cinema

This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as ins...

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Autor principal: Mouëllic, Gilles
Formato: Online
Lenguaje:inglés
Publicado: Taylor & Francis 2025
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Acceso en línea:ONIX_20251023T101257_9781040790458_10
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author Mouëllic, Gilles
author_browse Mouëllic, Gilles
author_facet Mouëllic, Gilles
author_sort Mouëllic, Gilles
collection Directory of Open Access Books
description This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
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spelling doab-20.500.12854ir-1685502025-10-24T05:18:56Z Improvising Cinema Mouëllic, Gilles Monograph (DRM-Free) thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance. 2025-10-24T05:18:55Z 2025-10-24T05:18:55Z 2025-10-23T08:15:54Z 2025 book ONIX_20251023T101257_9781040790458_10 https://library.oapen.org/handle/20.500.12657/107740 9781040790458 9781040796351 9781041181316 9789089645517 9781003697848 https://directory.doabooks.org/handle/20.500.12854/168550 eng Film Culture in Transition open access image/jpeg n/a https://library.oapen.org/bitstream/20.500.12657/107740/1/9781040790458.pdf Taylor & Francis Routledge 10.4324/9781003697848 10.4324/9781003697848 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 9781040790458 9781040796351 9781041181316 9789089645517 9781003697848 Routledge 204 Oxford open access
spellingShingle Monograph (DRM-Free)
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
Mouëllic, Gilles
Improvising Cinema
title Improvising Cinema
title_full Improvising Cinema
title_fullStr Improvising Cinema
title_full_unstemmed Improvising Cinema
title_short Improvising Cinema
title_sort improvising cinema
topic Monograph (DRM-Free)
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
topic_facet Monograph (DRM-Free)
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
url ONIX_20251023T101257_9781040790458_10
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