Ostrannenie

Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has...

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Format: Online
Sprog:engelsk
Udgivet: Taylor & Francis 2025
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Online adgang:ONIX_20251023T101257_9781040777312_30
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collection Directory of Open Access Books
description Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
format Online
id doab-20.500.12854ir-168561
institution Directory of Open Access Books
language eng
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Taylor & Francis
publisherStr Taylor & Francis
record_format ojs
spelling doab-20.500.12854ir-1685612025-10-24T05:20:26Z Ostrannenie Oever, Annie Monograph (DRM-Free) thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. 2025-10-24T05:20:26Z 2025-10-24T05:20:26Z 2025-10-23T08:17:23Z 2025 book ONIX_20251023T101257_9781040777312_30 https://library.oapen.org/handle/20.500.12657/107760 9781040777312 9781003700920 9789089640796 9781040791998 https://directory.doabooks.org/handle/20.500.12854/168561 eng open access image/jpeg n/a https://library.oapen.org/bitstream/20.500.12657/107760/1/9781040777312.pdf Taylor & Francis Routledge 10.4324/9781003700920 10.4324/9781003700920 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 9781040777312 9781003700920 9789089640796 9781040791998 Routledge 280 Oxford open access
spellingShingle Monograph (DRM-Free)
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
Ostrannenie
title Ostrannenie
title_full Ostrannenie
title_fullStr Ostrannenie
title_full_unstemmed Ostrannenie
title_short Ostrannenie
title_sort ostrannenie
topic Monograph (DRM-Free)
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
topic_facet Monograph (DRM-Free)
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
url ONIX_20251023T101257_9781040777312_30