Post-cinema

Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the n...

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Idioma:anglès
Publicat: Taylor & Francis 2025
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Accés en línia:ONIX_20251023T101257_9781040793169_16
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collection Directory of Open Access Books
description Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on regular films; the relocation (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in regular cinema.
format Online
id doab-20.500.12854ir-168583
institution Directory of Open Access Books
language eng
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Taylor & Francis
publisherStr Taylor & Francis
record_format ojs
spelling doab-20.500.12854ir-1685832025-10-24T05:23:18Z Post-cinema Moure, José Chateau, Dominique film contemporary art media aesthetics dispositif thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on regular films; the relocation (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in regular cinema. 2025-10-24T05:23:17Z 2025-10-24T05:23:17Z 2025-10-23T08:16:19Z 2025 book ONIX_20251023T101257_9781040793169_16 https://library.oapen.org/handle/20.500.12657/107746 9781040793169 9781041184546 9781003701781 9789463727235 9781040798959 https://directory.doabooks.org/handle/20.500.12854/168583 eng open access image/jpeg n/a https://library.oapen.org/bitstream/20.500.12657/107746/1/9781040793169.pdf Taylor & Francis Routledge 10.5117/9789463727235 10.5117/9789463727235 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 9781040793169 9781041184546 9781003701781 9789463727235 9781040798959 Routledge 366 Oxford open access
spellingShingle film
contemporary art
media
aesthetics
dispositif
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
Post-cinema
title Post-cinema
title_full Post-cinema
title_fullStr Post-cinema
title_full_unstemmed Post-cinema
title_short Post-cinema
title_sort post cinema
topic film
contemporary art
media
aesthetics
dispositif
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
topic_facet film
contemporary art
media
aesthetics
dispositif
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History
url ONIX_20251023T101257_9781040793169_16