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The Red Years of Cahiers du cinéma (1968-1973)

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The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. Inspired by Marxis...

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Autor Principal: Fairfax, Daniel
Formato: Online
Idioma:inglés
Publicado: Taylor & Francis 2025
Subjects:
cahiers du cinéma
film theory
apparatus theory
political modernism
french cinema
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements
Acceso en liña:ONIX_20251023T102741_9781040777251_20
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Summary:The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. Inspired by Marxist and psychoanalytic theory, the red years of Cahiers du cinéma produced a theoretical outpouring that was seminal for the formation of film studies and is still of vital relevance for the contemporary audiovisual landscape. The Red Years of Cahiers du Cinéma (1968-1973) gives an overview of this period in the journal's history and its aftermath, combining biographical accounts of the critics who wrote for Cahiers in the post 1968 period with theoretical explorations of their key texts..

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