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Chromatic Visions

This open access book explores the challenges and opportunities of preserving, reconstructing, exhibiting, and communicating the phenomenon of colour change in heritage collections and artworks through advanced digital technologies, from the perspectives of the authors, many of whom belong to renown...

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Format: Online
Sprog:engelsk
Udgivet: Springer Nature 2025
Fag:
Open Access
colour
digital technologies
interactive media design
perception
museum
webXR
3D modelling
artificial intelligence
image based rendering
virtual restoration
polychromy
Greek and Roman sculptures
paintings
photography
digital art
textiles
thema EDItEUR::U Computing and Information Technology::UY Computer science::UYQ Artificial intelligence::UYQV Computer vision
thema EDItEUR::P Mathematics and Science::PH Physics::PHJ Optical physics
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology::NK Archaeology
thema EDItEUR::J Society and Social Sciences::JM Psychology::JMB Psychological methodology::JMBT Psychological testing and measurement
Online adgang:ONIX_20251128T131701_9783032077929_11
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Summary:This open access book explores the challenges and opportunities of preserving, reconstructing, exhibiting, and communicating the phenomenon of colour change in heritage collections and artworks through advanced digital technologies, from the perspectives of the authors, many of whom belong to renowned institutions around Europe. Developed within the Horizon Europe project PERCEIVE, this is the first of two volumes offering a comprehensive, interdisciplinary approach to chromatic heritage. Focusing on perception, historical transformations of colour, digital heritage design, and civic participation, the book introduces five key scenarios: from ancient polychrome sculpture and paintings to textiles, historical photographs, and digital-born artworks. Through these, it investigates how colour can be experienced, interpreted, and cared for in both physical and virtual spaces. Combining scientific investigations and concept-oriented design, the volume presents new methodologies based on the concepts of care, authenticity, civic participation and accessibility. It is an essential resource for researchers, curators, designers, and all those engaged in the digital transformation of cultural heritage.

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