I Can't Breathe e outros textos 3ª edição
The first text, I Can't Breathe (2015), was written during the process. Through interviews and improvisations with actress Ana Monte Real and author-actor Elmano Sancho himself, a script is constructed that presents some characteristics of pornographic films. In fact, I Can't Breathe could be the ti...
Kaydedildi:
| Yazar: | |
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| Materyal Türü: | Online |
| Dil: | Portekizce |
| Baskı/Yayın Bilgisi: |
Coimbra University Press
2025
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| Konular: | |
| Online Erişim: | https://directory.doabooks.org/handle/20.500.12854/169915 |
| Etiketler: |
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| Özet: | The first text, I Can't Breathe (2015), was written during the process. Through interviews and improvisations with actress Ana Monte Real and author-actor Elmano Sancho himself, a script is constructed that presents some characteristics of pornographic films. In fact, I Can't Breathe could be the title of an adult film. The text reveals the inability to breathe in a contemporary society that tends towards uniformity and insists on revealing the mysteries of human life and the soul. The work in Damas da Noite, Uma Farsa de Elmano Sancho (2019) was similar; the writing arises from the need to bring Cléopâtre to life, under the watchful eye of the drag queen performers in the show. Together, the performers give name, body and voice to a person-character who never existed and who comes to announce (good?) news to the world. In A Última Estação (2018), the author takes the theme of the Passion of Christ and the Stations of the Cross as the basis for the construction of the text. The approach now is Christian symbolism, which serves as inspiration for the dramaturgical and scenic structure. Its fifteenth and final station, The Resurrection can be understood, to a certain extent, as one of the main themes of Elmano Sancho's theatrical writing: the urgency to reinvent oneself at every new moment. |
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