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Exultet in Material und Raum

Exultet iam angelica turba coelorum! – Rejoice, choirs of angels! – these words mark the beginning of the Easter Proclamation; its opening word, Exultet, gave its name to the manuscripts in which the proclamation was recorded as a central part of the Easter liturgy. The Exultet rolls, which originat...

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Salvato in:
Autore principale: Utz, Judith
Natura: Online
Lingua:tedesco
Pubblicazione: Heidelberg University Publishing (heiUP) 2025
Soggetti:
Art history
Middle Ages
Southern Italy
Illumination
Materiality
Mediality
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration::AKH Book design and Bookbinding::AKHM Manuscripts and illumination
thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDJ European history: medieval period, middle ages
Accesso online:ONIX_20251215T151540_9783968222349_7
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Riassunto:Exultet iam angelica turba coelorum! – Rejoice, choirs of angels! – these words mark the beginning of the Easter Proclamation; its opening word, Exultet, gave its name to the manuscripts in which the proclamation was recorded as a central part of the Easter liturgy. The Exultet rolls, which originated between the 10th and 14th centuries, mainly in Apulia and Campania, combine writing, images and musical notation in a unique way. This book is the first to examine the material and media characteristics of the rolls from an interdisciplinary perspective, focusing not only on the objects themselves, but also on their use and perception in the Beneventan liturgy. It shows the extent to which the rolls contributed visually, aurally and olfactorily to the constitution of liturgical and social spaces.

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