Architecture, Film, and the In-between
The long-established dialogue between architecture and film offers an interdisciplinary platform for a critical examination of spaces of in-between. Apart from architecture informing scenography and cities serving as backdrops to the moving image, films have actively participated in shaping the publ...
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| Formato: | Online |
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| Idioma: | inglês francês |
| Publicado em: |
Intellect
2026
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| Acesso em linha: | ONIX_20260108T103546_9781789387384_2 |
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| _version_ | 1869518066496307200 |
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| collection | Directory of Open Access Books |
| description | The long-established dialogue between architecture and film offers an interdisciplinary platform for a critical examination of spaces of in-between. Apart from architecture informing scenography and cities serving as backdrops to the moving image, films have actively participated in shaping the public opinion about architecture and its allied disciplines. While architecture and design may not necessarily be central themes in a film, their spatial contextualization of the narrative informs cinematic productions. Screen, Space, and the In-Between looks at both the filmic imagination/representation of architectural in-betweenness, as well as the in-between spaces within the inherent architectural structure of filmic expression. On the one hand, cinematic production serves as a site to project utopian fantasies of the built environment, and on the other hand, the processes, tools, and methods involved in both architecture and film, function as mediators between abstract ideation and its materialized manifestation. The book interrogates the filmic creation of spatial imaginaries through the anthropological lens, especially as the disciplines in the built environment react to the liminal spaces of the cinematic. It adopts cinematic experiences of the built environment as a vantage point to reframe ongoing theoretical debates about liminal spaces. Foreword by Mark Foster Gage Contributors: Giuliana Bruno, Beatriz Colomina, James F. Kerestes, Graham Harman, Ferda Kolatan, Juhani Pallasmaa, Eva Perez De Vega, Mehmet Sahinler, Patrik Schumacher, Maria Sieira, Alican Taylan, Vahid Vahdat, Jason Vigneri-Beane, Jon Yoder, Michael Young |
| format | Online |
| id | doab-20.500.12854ir-170866 |
| institution | Directory of Open Access Books |
| language | eng fre |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Intellect |
| publisherStr | Intellect |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1708662026-01-11T05:10:41Z Architecture, Film, and the In-between Vahdat and James Kerestes, Vahid F. Theory of architecture History of architecture Film history, theory or criticism thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture The long-established dialogue between architecture and film offers an interdisciplinary platform for a critical examination of spaces of in-between. Apart from architecture informing scenography and cities serving as backdrops to the moving image, films have actively participated in shaping the public opinion about architecture and its allied disciplines. While architecture and design may not necessarily be central themes in a film, their spatial contextualization of the narrative informs cinematic productions. Screen, Space, and the In-Between looks at both the filmic imagination/representation of architectural in-betweenness, as well as the in-between spaces within the inherent architectural structure of filmic expression. On the one hand, cinematic production serves as a site to project utopian fantasies of the built environment, and on the other hand, the processes, tools, and methods involved in both architecture and film, function as mediators between abstract ideation and its materialized manifestation. The book interrogates the filmic creation of spatial imaginaries through the anthropological lens, especially as the disciplines in the built environment react to the liminal spaces of the cinematic. It adopts cinematic experiences of the built environment as a vantage point to reframe ongoing theoretical debates about liminal spaces. Foreword by Mark Foster Gage Contributors: Giuliana Bruno, Beatriz Colomina, James F. Kerestes, Graham Harman, Ferda Kolatan, Juhani Pallasmaa, Eva Perez De Vega, Mehmet Sahinler, Patrik Schumacher, Maria Sieira, Alican Taylan, Vahid Vahdat, Jason Vigneri-Beane, Jon Yoder, Michael Young 2026-01-11T05:10:40Z 2026-01-11T05:10:40Z 2026-01-08T09:37:20Z 2023 book ONIX_20260108T103546_9781789387384_2 https://library.oapen.org/handle/20.500.12657/109677 9781789387384 9781789387391 https://directory.doabooks.org/handle/20.500.12854/170866 eng fre open access image/jpeg n/a https://library.oapen.org/bitstream/20.500.12657/109677/1/9781789387384.pdf Intellect 50f7a92a-e12a-467c-8df9-e2c55ce90cc8 9781789387384 9781789387391 Knowledge Unlatched (KU) KU Open Services open access |
| spellingShingle | Theory of architecture History of architecture Film history, theory or criticism thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture Architecture, Film, and the In-between |
| title | Architecture, Film, and the In-between |
| title_full | Architecture, Film, and the In-between |
| title_fullStr | Architecture, Film, and the In-between |
| title_full_unstemmed | Architecture, Film, and the In-between |
| title_short | Architecture, Film, and the In-between |
| title_sort | architecture film and the in between |
| topic | Theory of architecture History of architecture Film history, theory or criticism thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture |
| topic_facet | Theory of architecture History of architecture Film history, theory or criticism thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture |
| url | ONIX_20260108T103546_9781789387384_2 |