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A Stab in the Ear

The Futurists produced most conspicuous, creative, and diverse figures of sound in the Polish avant-garde. The book is a comparative study of the Polish Futurists’ works presented against the backdrop of European literary practices of the time (Dadaism, Italian and Russian Futurism) and the Polish l...

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Hlavní autor: Sniecikowska, Beata
Médium: Online
Jazyk:angličtina
Vydáno: Peter Lang International Academic Publishers 2026
Témata:
Beata
Dadaism
European literary practices
Figures of sound in the Polish avant-garde
Futurism
Futurist
Gałecki
Łukasz
Nycz
Poetics
Poetry
Polish
Polish literary tradition
Ryszard
Sniecikowska
Sound
Stab
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry
thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
On-line přístup:ONIX_20260109T105817_9783631899199_2
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Shrnutí:The Futurists produced most conspicuous, creative, and diverse figures of sound in the Polish avant-garde. The book is a comparative study of the Polish Futurists’ works presented against the backdrop of European literary practices of the time (Dadaism, Italian and Russian Futurism) and the Polish literary tradition (folk poetry, Young Poland). S´niecikowska examines variations on symbolist “musicality,” traces similarities between Polish Futurist word formation and Cubo-Futurist experimentation, compares Dadaist and Futurist concepts of onomatopoeia, analyses applications of Marinetti’s “words in freedom.” The study also deals with uses of glossolalia and echolalia as well as sound-semantic concepts that employ pure nonsense and parody.

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