La pirofanía en la poética de Nahui Olin
The divinization of the human body embodies a heresy for most cultures, since it is considered to be the opposite of what is holy or sacred. Specifically, in the union of what is sacred and that which is profane is where we may find the illumination of female poetics which originated in the nearly 2...
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| Hlavní autor: | |
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| Médium: | Online |
| Jazyk: | španělština |
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Universidad de Colima
2026
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| Témata: | |
| On-line přístup: | https://directory.doabooks.org/handle/20.500.12854/171252 |
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| Shrnutí: | The divinization of the human body embodies a heresy for most cultures, since it is considered to be the opposite of what is holy or sacred. Specifically, in the union of what is sacred and that which is profane is where we may find the illumination of female poetics which originated in the nearly 20th century. Thus, in this work, an approach is carried out between these two extremes, coining the phrase pyrophany to analyze the poetics of Nahui Olin. Fire is evoked as the union of what is sacred and that which is erotic in the pyrophany of our author, with the theoretical and philosophical bases of María Zambrano, Gaston Bachelard and Georges Bataille. In openness under the understanding that what is erotic and that which is sacred embody the ambivalent union of opposites; limits are touched upon (the profane and the divine) and by way of poetry, the soft music of this ineffable encounter may be named. |
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