Contesting Copyright
The creative sector, including the cultural industry, is key for today’s economy. Copyright has the capacity to x the roles and tasks of the actors involved and determine the direction of cash ows within this sector. The study of the evolution of copyright helps understand and adjust the regulation...
I tiakina i:
| Kaituhi matua: | |
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| Hōputu: | Online |
| Reo: | Ingarihi |
| I whakaputaina: |
Central European University Press
2026
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| Ngā marau: | |
| Urunga tuihono: | https://library.oapen.org/handle/20.500.12657/109909 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | The creative sector, including the cultural industry, is key for today’s economy. Copyright has the capacity to x the roles and tasks of the actors involved and determine the direction of cash ows within this sector. The study of the evolution of copyright helps understand and adjust the regulation and commercialization of creative labor. Augusta Dimou provides a thoroughly researched, interdisciplinary and comparative study of the historical development of copyright regimes in three countries – Czechoslovakia, Yugoslavia, and Bulgaria. She examines the function and signi cance of copyright in the institutionalization, development, and regulation of modern culture in East Central Europe and the Balkans during the diverse political regimes of the modern era, and at the interface between the various nationalization and globalization processes of the 20th century. |
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