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Estetiske praksiser i den digitale produksjonens tidsalder

Digital technologies and media platforms are fundamental to the arts and cultural field today, and they increasingly permeate more aspects of everyday life. Through sixteen articles by a range of Norwegian and international researchers, Aesthetic Practices in the Age of Digital Production examines h...

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Glavni autori: Vagn Lid, Tore, Israelson, Per, Røssaak, Eivind, Kristian S. Rustad, Hans, Pérez, Elena, Foyn Bruun, Ellen, Guanio-Uluru, Lykke, Hagen Kjørholt, Ingvild, Hjorth, Ingeborg, Müller, Insa, Homlong Storeide, Anette, Skjulstad, Synne, Eritsland, Ida, Ugelstad, Caroline, Østby Sæther, Susanne, Storstein Spilker, Hendrik, Kjus, Yngvar, Kiberg, Håvard, Landsverk Hagen, Aina, M. Tolstad, Ingrid, Berge Lorenzen, Sara, Marius Hylland, Ole, Kleppe, Bård, Bonde Thylstrup, Nanna, Hesselberth, Pepita
Format: Online
Jezik:norveški
Izdano: Fagbokforlaget Vigmostad & Bjørke 2026
Teme:
Digital aesthetics
Creative technologies
Media art
Cultural production
Digital practices
Design studies
Art education
Visual culture
Technology and art
Creativity
thema EDItEUR::A The Arts::AB The arts: general topics
thema EDItEUR::U Computing and Information Technology::UB Information technology: general topics
thema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
Online pristup:https://directory.doabooks.org/handle/20.500.12854/171363
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Sažetak:Digital technologies and media platforms are fundamental to the arts and cultural field today, and they increasingly permeate more aspects of everyday life. Through sixteen articles by a range of Norwegian and international researchers, Aesthetic Practices in the Age of Digital Production examines how digitalization transforms and shapes the production, dissemination, and use of art and culture in contemporary society—and how aesthetic practices themselves explore, thematize, and problematize these processes of change. Aesthetic Practices in the Age of Digital Production offers a wide range of perspectives, concepts, and models that illuminate art and culture today. The articles discuss streaming concerts, Instagram poetry, mass digitization projects, cultural policy, hacking as an aesthetic practice, and the performing arts’ relationship with the digital. They also examine the use of social media in fashion, how cultural institutions change, digital mediation in the visual arts and at memorial sites, and—finally—the need to withdraw from the digital. Aesthetic Practices in the Age of Digital Production is the result of a research program initiated by the Norwegian Arts Council. The program has also received support from the Ministry of Culture and Equality.

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