Grensesprenging
Using three theatre companies—Access All Areas Productions (UK), Back to Back Theatre Company (Australia), and Teater nonSTOP (Norway)—this book shows, through examples and images, a rich and exciting artistic field. Here we meet performers who move audiences with innovative, and for many surprising...
Sparad:
| Huvudupphov: | , |
|---|---|
| Materialtyp: | Online |
| Språk: | norska |
| Utgiven: |
Fagbokforlaget Vigmostad & Bjørke
2026
|
| Ämnen: | |
| Länkar: | https://directory.doabooks.org/handle/20.500.12854/171408 |
| Taggar: |
Inga taggar, Lägg till första taggen!
|
| _version_ | 1869521189673631744 |
|---|---|
| author | Saur, Ellen Ness, Ottar |
| author_browse | Ness, Ottar Saur, Ellen |
| author_facet | Saur, Ellen Ness, Ottar |
| author_sort | Saur, Ellen |
| collection | Directory of Open Access Books |
| description | Using three theatre companies—Access All Areas Productions (UK), Back to Back Theatre Company (Australia), and Teater nonSTOP (Norway)—this book shows, through examples and images, a rich and exciting artistic field. Here we meet performers who move audiences with innovative, and for many surprising, artistic expressions, creating existential encounters with their public. The book aims to develop understanding and knowledge of how competence development can be carried out and how one can collaborate with actors who have intellectual disabilities, autism, or others who experience barriers to participation. The companies presented challenge power structures both on stage and in the industry, and the current situation is discussed in light of the historical development within the disability field. In an entertainment industry where both stage and streaming services demand greater diversity, both individual and system knowledge are required for actors with intellectual disabilities and autism to have good working conditions and thus realize their artistic potential. As Ingrid Lorentzen writes in the book’s foreword: “New generations of artists will be inspired by the work of the artists this is about—artists who are not to be written into a history of exclusion or opposition, but who, through central artistic contributions, put people first.” |
| format | Online |
| id | doab-20.500.12854ir-171408 |
| institution | Directory of Open Access Books |
| language | nor |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Fagbokforlaget Vigmostad & Bjørke |
| publisherStr | Fagbokforlaget Vigmostad & Bjørke |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1714082026-02-12T10:06:09Z Grensesprenging Saur, Ellen Ness, Ottar Boundary crossing Innovation Interdisciplinarity Social change Creativity Transgression Cultural studies Learning processes Transformation Critical theory thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education Using three theatre companies—Access All Areas Productions (UK), Back to Back Theatre Company (Australia), and Teater nonSTOP (Norway)—this book shows, through examples and images, a rich and exciting artistic field. Here we meet performers who move audiences with innovative, and for many surprising, artistic expressions, creating existential encounters with their public. The book aims to develop understanding and knowledge of how competence development can be carried out and how one can collaborate with actors who have intellectual disabilities, autism, or others who experience barriers to participation. The companies presented challenge power structures both on stage and in the industry, and the current situation is discussed in light of the historical development within the disability field. In an entertainment industry where both stage and streaming services demand greater diversity, both individual and system knowledge are required for actors with intellectual disabilities and autism to have good working conditions and thus realize their artistic potential. As Ingrid Lorentzen writes in the book’s foreword: “New generations of artists will be inspired by the work of the artists this is about—artists who are not to be written into a history of exclusion or opposition, but who, through central artistic contributions, put people first.” 2026-02-12T10:06:06Z 2026-02-12T10:06:06Z 2025 book 9788245060119 9788245060102 https://directory.doabooks.org/handle/20.500.12854/171408 nor application/octet-stream Attribution 4.0 International https://oa.fagbokforlaget.no/index.php/vboa/catalog/book/84 https://oa.fagbokforlaget.no/index.php/vboa/catalog/view/84/107/1234 Fagbokforlaget Vigmostad & Bjørke 10.55669/oa6208 Using three theatre companies—Access All Areas Productions (UK), Back to Back Theatre Company (Australia), and Teater nonSTOP (Norway)—this book shows, through examples and images, a rich and exciting artistic field. Here we meet performers who move audiences with innovative, and for many surprising, artistic expressions, creating existential encounters with their public. The book aims to develop understanding and knowledge of how competence development can be carried out and how one can collaborate with actors who have intellectual disabilities, autism, or others who experience barriers to participation. The companies presented challenge power structures both on stage and in the industry, and the current situation is discussed in light of the historical development within the disability field. In an entertainment industry where both stage and streaming services demand greater diversity, both individual and system knowledge are required for actors with intellectual disabilities and autism to have good working conditions and thus realize their artistic potential. As Ingrid Lorentzen writes in the book’s foreword: “New generations of artists will be inspired by the work of the artists this is about—artists who are not to be written into a history of exclusion or opposition, but who, through central artistic contributions, put people first.” 10.55669/oa6208 637f2da4-f01b-482d-ac9d-8f3e204f400e 9788245060119 9788245060102 156 Bergen open access |
| spellingShingle | Boundary crossing Innovation Interdisciplinarity Social change Creativity Transgression Cultural studies Learning processes Transformation Critical theory thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education Saur, Ellen Ness, Ottar Grensesprenging |
| title | Grensesprenging |
| title_full | Grensesprenging |
| title_fullStr | Grensesprenging |
| title_full_unstemmed | Grensesprenging |
| title_short | Grensesprenging |
| title_sort | grensesprenging |
| topic | Boundary crossing Innovation Interdisciplinarity Social change Creativity Transgression Cultural studies Learning processes Transformation Critical theory thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education |
| topic_facet | Boundary crossing Innovation Interdisciplinarity Social change Creativity Transgression Cultural studies Learning processes Transformation Critical theory thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education |
| url | https://directory.doabooks.org/handle/20.500.12854/171408 |
| work_keys_str_mv | AT saurellen grensesprenging AT nessottar grensesprenging |