E. T. A. Hoffmanns Märchenschaffen
This book provides a critical study of all seven of Hoffmann's Kunstmarchen. Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of langua...
I tiakina i:
| Kaituhi matua: | |
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| Hōputu: | Online |
| Reo: | Tiamana |
| I whakaputaina: |
The University of North Carolina Press
2026
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| Ngā marau: | |
| Urunga tuihono: | https://directory.doabooks.org/handle/20.500.12854/171454 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| _version_ | 1869518586224050176 |
|---|---|
| author | Vitt-Maucher, Gisela |
| author_browse | Vitt-Maucher, Gisela |
| author_facet | Vitt-Maucher, Gisela |
| author_sort | Vitt-Maucher, Gisela |
| collection | Directory of Open Access Books |
| description | This book provides a critical study of all seven of Hoffmann's Kunstmarchen. Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent.In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.' |
| format | Online |
| id | doab-20.500.12854ir-171454 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | The University of North Carolina Press |
| publisherStr | The University of North Carolina Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1714542026-02-12T10:29:55Z E. T. A. Hoffmanns Märchenschaffen Vitt-Maucher, Gisela Fiction / Fairy Tales, Folk Tales, Legends & Mythology thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales This book provides a critical study of all seven of Hoffmann's Kunstmarchen. Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent.In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.' 2026-02-12T10:29:53Z 2026-02-12T10:29:53Z 2020 book 9781469658575 https://directory.doabooks.org/handle/20.500.12854/171454 ger The University of North Carolina Press 10.1353/book.90109 This book provides a critical study of all seven of Hoffmann's Kunstmarchen. Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent.In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.' 10.1353/book.90109 f46e5319-8d09-4c63-b9f2-a13480694ab4 9781469658575 248 open access |
| spellingShingle | Fiction / Fairy Tales, Folk Tales, Legends & Mythology thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales Vitt-Maucher, Gisela E. T. A. Hoffmanns Märchenschaffen |
| title | E. T. A. Hoffmanns Märchenschaffen |
| title_full | E. T. A. Hoffmanns Märchenschaffen |
| title_fullStr | E. T. A. Hoffmanns Märchenschaffen |
| title_full_unstemmed | E. T. A. Hoffmanns Märchenschaffen |
| title_short | E. T. A. Hoffmanns Märchenschaffen |
| title_sort | e t a hoffmanns marchenschaffen |
| topic | Fiction / Fairy Tales, Folk Tales, Legends & Mythology thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales |
| topic_facet | Fiction / Fairy Tales, Folk Tales, Legends & Mythology thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales |
| url | https://directory.doabooks.org/handle/20.500.12854/171454 |
| work_keys_str_mv | AT vittmauchergisela etahoffmannsmarchenschaffen |