The Look of Things

Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the incre...

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मुख्य लेखक: Strathausen, Carsten
स्वरूप: Online
भाषा:अंग्रेज़ी
प्रकाशित: The University of North Carolina Press 2026
विषय:
ऑनलाइन पहुंच:https://directory.doabooks.org/handle/20.500.12854/171457
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author Strathausen, Carsten
author_browse Strathausen, Carsten
author_facet Strathausen, Carsten
author_sort Strathausen, Carsten
collection Directory of Open Access Books
description Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film. Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world.
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spelling doab-20.500.12854ir-1714572026-02-12T10:30:09Z The Look of Things Strathausen, Carsten Poetry / European / German thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film. Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world. 2026-02-12T10:30:06Z 2026-02-12T10:30:06Z 2020 book 9781469658452 https://directory.doabooks.org/handle/20.500.12854/171457 eng The University of North Carolina Press 10.1353/book.90114 10.1353/book.90114 f46e5319-8d09-4c63-b9f2-a13480694ab4 9781469658452 344 open access
spellingShingle Poetry / European / German
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry
Strathausen, Carsten
The Look of Things
title The Look of Things
title_full The Look of Things
title_fullStr The Look of Things
title_full_unstemmed The Look of Things
title_short The Look of Things
title_sort look of things
topic Poetry / European / German
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry
topic_facet Poetry / European / German
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry
url https://directory.doabooks.org/handle/20.500.12854/171457
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