Backstaging Modern Chinese Theatre

Modern Chinese theatre once entailed a variety of forms, but now it primarily refers to spoken drama, or huaju. Backstaging Modern Chinese Theatre looks beyond scripts to examine visuality, acoustics, and performance between the two World Wars, the period when huaju gained canonical status. The back...

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Príomhchruthaitheoir: He, Man
Formáid: Online
Teanga:Béarla
Foilsithe / Cruthaithe: Michigan State University Press 2026
Ábhair:
Rochtain ar líne:https://directory.doabooks.org/handle/20.500.12854/171531
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author He, Man
author_browse He, Man
author_facet He, Man
author_sort He, Man
collection Directory of Open Access Books
description Modern Chinese theatre once entailed a variety of forms, but now it primarily refers to spoken drama, or huaju. Backstaging Modern Chinese Theatre looks beyond scripts to examine visuality, acoustics, and performance between the two World Wars, the period when huaju gained canonical status. The backstage in this study expands from being a physical place offstage to a culturally and historically constructed social network that encompasses theatre networks, academies, and government institutions—as well as the collective work of dramatists, amateurs, and cultural entrepreneurs. Early huaju was not a mere imitation of Western realist theatre, as it is commonly understood, but a creative synthesis of Chinese and Western aesthetics. Charting huaju’s evolution from American colleges to China’s coastal cities and then to its rural hinterland, Man He demonstrates how the formation of modern Chinese theatre challenges dominant understandings of modernism and brings China to the center of discussions on transnational modernities and world theatres.
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spelling doab-20.500.12854ir-1715312026-02-12T10:36:04Z Backstaging Modern Chinese Theatre He, Man Performing Arts / General thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Modern Chinese theatre once entailed a variety of forms, but now it primarily refers to spoken drama, or huaju. Backstaging Modern Chinese Theatre looks beyond scripts to examine visuality, acoustics, and performance between the two World Wars, the period when huaju gained canonical status. The backstage in this study expands from being a physical place offstage to a culturally and historically constructed social network that encompasses theatre networks, academies, and government institutions—as well as the collective work of dramatists, amateurs, and cultural entrepreneurs. Early huaju was not a mere imitation of Western realist theatre, as it is commonly understood, but a creative synthesis of Chinese and Western aesthetics. Charting huaju’s evolution from American colleges to China’s coastal cities and then to its rural hinterland, Man He demonstrates how the formation of modern Chinese theatre challenges dominant understandings of modernism and brings China to the center of discussions on transnational modernities and world theatres. 2026-02-12T10:36:01Z 2026-02-12T10:36:01Z 2025 book 9780472905119 https://directory.doabooks.org/handle/20.500.12854/171531 eng Michigan State University Press aa7f6664-5117-41d8-90f8-c3af56526b92 9780472905119 open access
spellingShingle Performing Arts / General
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
He, Man
Backstaging Modern Chinese Theatre
title Backstaging Modern Chinese Theatre
title_full Backstaging Modern Chinese Theatre
title_fullStr Backstaging Modern Chinese Theatre
title_full_unstemmed Backstaging Modern Chinese Theatre
title_short Backstaging Modern Chinese Theatre
title_sort backstaging modern chinese theatre
topic Performing Arts / General
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
topic_facet Performing Arts / General
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
url https://directory.doabooks.org/handle/20.500.12854/171531
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