Fragmenta Musicae

This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM–Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cas...

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Format: Online
Langue:anglais
Publié: Brepols 2026
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Accès en ligne:https://directory.doabooks.org/handle/20.500.12854/172020
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collection Directory of Open Access Books
description This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM–Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution.
format Online
id doab-20.500.12854ir-172020
institution Directory of Open Access Books
language eng
publishDate 2026
publishDateRange 2026
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spelling doab-20.500.12854ir-1720202026-02-13T13:26:35Z Fragmenta Musicae d'Alvarenga, João Pedro Ferreira, Manuel Pedro Medina de Seiça, Alberto Musicology: Medieval & Renaissance period (up to c. 1600) Manuscript fragments Liturgy Sacraments & worship thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM–Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. 2026-02-13T13:26:28Z 2026-02-13T13:26:28Z 2025 book 9782503613000 9782503613017 https://directory.doabooks.org/handle/20.500.12854/172020 eng Épitome musical application/octet-stream Attribution-NonCommercial 4.0 International https://www.brepols.net/products/IS-9782503613000-1 https://doi.org/10.1484/M.EM-EB.5.138187 Brepols 10.1484/M.EM-EB.5.138187 10.1484/M.EM-EB.5.138187 337417f5-5e42-49d3-8b32-3867e1572190 9782503613000 9782503613017 542 Turnhout open access
spellingShingle Musicology: Medieval & Renaissance period (up to c. 1600)
Manuscript fragments
Liturgy
Sacraments & worship
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
Fragmenta Musicae
title Fragmenta Musicae
title_full Fragmenta Musicae
title_fullStr Fragmenta Musicae
title_full_unstemmed Fragmenta Musicae
title_short Fragmenta Musicae
title_sort fragmenta musicae
topic Musicology: Medieval & Renaissance period (up to c. 1600)
Manuscript fragments
Liturgy
Sacraments & worship
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
topic_facet Musicology: Medieval & Renaissance period (up to c. 1600)
Manuscript fragments
Liturgy
Sacraments & worship
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
url https://directory.doabooks.org/handle/20.500.12854/172020