Escritores y televisión en España

The expansion of television in Spain from 1956 onwards prompted from its inception a fundamental shift in cultural paradigm, characterized by the displacement of the centuries-old 'graphosphere' by an innovative 'videosphere'. This book examines the significance of this phenomenon through the relati...

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第一著者: Durán Froix, Jean-Stéphane
フォーマット: Online
言語:スペイン語
出版事項: Casa de Velázquez 2026
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オンライン・アクセス:2695-4141
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author Durán Froix, Jean-Stéphane
author_browse Durán Froix, Jean-Stéphane
author_facet Durán Froix, Jean-Stéphane
author_sort Durán Froix, Jean-Stéphane
collection Directory of Open Access Books
description The expansion of television in Spain from 1956 onwards prompted from its inception a fundamental shift in cultural paradigm, characterized by the displacement of the centuries-old 'graphosphere' by an innovative 'videosphere'. This book examines the significance of this phenomenon through the relationship established between writers—the foremost representatives of the declining cultural model—and television, the quintessential mass audiovisual medium.Unlike cinema, the exchanges between literature and television respond less to artistic motivation than to economic necessity, thus typifying the intermediality between both. Yet, contrary to what occurs in other countries, Spain has not had, over this half-century period, literary programmes as long-running, successful, and influential as those of other major European literary powers.Television has transformed society into a permanent spectacle in which the writer becomes subject to an 'attention economy' that alters the authorial function to the point of provoking, according to Juan Marsé, the 'death of the author'—already heralded by Roland Barthes and Michel Foucault. Nevertheless, Manuel Vázquez Montalbán, a major literary figure of the 1980s and 1990s, attests to the benefits that any polygraph can derive, both at the creative level and in terms of symbolic capital, from this profound reconfiguration of the cultural field, thereby fully embodying postmodern intermediality.With television, a new type of writer emerges: the TV personality who ventures into literature to leverage their audience while also acquiring more refined and prestigious cultural capital.
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spelling doab-20.500.12854ir-1724302026-02-25T19:16:23Z Escritores y televisión en España Durán Froix, Jean-Stéphane Cultural studies Writer Contemporary Spain Cultural history Literature Television thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies The expansion of television in Spain from 1956 onwards prompted from its inception a fundamental shift in cultural paradigm, characterized by the displacement of the centuries-old 'graphosphere' by an innovative 'videosphere'. This book examines the significance of this phenomenon through the relationship established between writers—the foremost representatives of the declining cultural model—and television, the quintessential mass audiovisual medium.Unlike cinema, the exchanges between literature and television respond less to artistic motivation than to economic necessity, thus typifying the intermediality between both. Yet, contrary to what occurs in other countries, Spain has not had, over this half-century period, literary programmes as long-running, successful, and influential as those of other major European literary powers.Television has transformed society into a permanent spectacle in which the writer becomes subject to an 'attention economy' that alters the authorial function to the point of provoking, according to Juan Marsé, the 'death of the author'—already heralded by Roland Barthes and Michel Foucault. Nevertheless, Manuel Vázquez Montalbán, a major literary figure of the 1980s and 1990s, attests to the benefits that any polygraph can derive, both at the creative level and in terms of symbolic capital, from this profound reconfiguration of the cultural field, thereby fully embodying postmodern intermediality.With television, a new type of writer emerges: the TV personality who ventures into literature to leverage their audience while also acquiring more refined and prestigious cultural capital. 2026-02-25T19:16:22Z 2026-02-25T19:16:22Z 2025 book 2695-4141 9788490964354 9788490964347 https://directory.doabooks.org/handle/20.500.12854/172430 spa Bibliothèque de la Casa de Velázquez image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://www.7switch.com/fr/ebook/9788490964354/from/openedition https://books.openedition.org/cvz/56727 Casa de Velázquez 10.4000/14y7c The expansion of television in Spain from 1956 onwards prompted from its inception a fundamental shift in cultural paradigm, characterized by the displacement of the centuries-old 'graphosphere' by an innovative 'videosphere'. This book examines the significance of this phenomenon through the relationship established between writers—the foremost representatives of the declining cultural model—and television, the quintessential mass audiovisual medium.Unlike cinema, the exchanges between literature and television respond less to artistic motivation than to economic necessity, thus typifying the intermediality between both. Yet, contrary to what occurs in other countries, Spain has not had, over this half-century period, literary programmes as long-running, successful, and influential as those of other major European literary powers.Television has transformed society into a permanent spectacle in which the writer becomes subject to an 'attention economy' that alters the authorial function to the point of provoking, according to Juan Marsé, the 'death of the author'—already heralded by Roland Barthes and Michel Foucault. Nevertheless, Manuel Vázquez Montalbán, a major literary figure of the 1980s and 1990s, attests to the benefits that any polygraph can derive, both at the creative level and in terms of symbolic capital, from this profound reconfiguration of the cultural field, thereby fully embodying postmodern intermediality.With television, a new type of writer emerges: the TV personality who ventures into literature to leverage their audience while also acquiring more refined and prestigious cultural capital. 10.4000/14y7c 44e48464-88cf-488a-8356-12d480ff40f8 9788490964354 9788490964347 X-293 Madrid open access
spellingShingle Cultural studies
Writer
Contemporary Spain
Cultural history
Literature
Television
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
Durán Froix, Jean-Stéphane
Escritores y televisión en España
title Escritores y televisión en España
title_full Escritores y televisión en España
title_fullStr Escritores y televisión en España
title_full_unstemmed Escritores y televisión en España
title_short Escritores y televisión en España
title_sort escritores y television en espana
topic Cultural studies
Writer
Contemporary Spain
Cultural history
Literature
Television
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
topic_facet Cultural studies
Writer
Contemporary Spain
Cultural history
Literature
Television
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
url 2695-4141
work_keys_str_mv AT duranfroixjeanstephane escritoresytelevisionenespana