Macau and Catholic Sacred Music Across the Sino-Western Divide
For three centuries, the former Portuguese colony of Macau served as the gateway into mainland China and the locale for the development of an Asian Catholic culture that encompassed distinctive musical practices and styles. Macau and Catholic Music Across the Sino-Western Divide draws extensively up...
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| Format: | Online |
| Language: | English |
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Michigan State University Press
2026
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| Online Access: | https://library.oapen.org/handle/20.500.12657/110251 |
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| _version_ | 1869514438831243264 |
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| author | Chen, Jen-yen |
| author_browse | Chen, Jen-yen |
| author_facet | Chen, Jen-yen |
| author_sort | Chen, Jen-yen |
| collection | Directory of Open Access Books |
| description | For three centuries, the former Portuguese colony of Macau served as the gateway into mainland China and the locale for the development of an Asian Catholic culture that encompassed distinctive musical practices and styles. Macau and Catholic Music Across the Sino-Western Divide draws extensively upon historical documents in Chinese and Portuguese for a polylingual approach to Catholic sacred music. Jen-yen Chen follows this music from the sixteenth century through the twentieth by reading literary accounts of sound, primary source documents, and musical notation to examine the impacts of linguistic, political, and cultural divides and the ways sounds have traveled across these divides. Chen covers Chinese responses to Western sounds in Macau and southern China, illuminating the strategies for the use of sounds and musicking adopted by Jesuit missionaries; and the complexities of identity formation negotiated by Macau Catholics who confront exceptionalist historical discourses of Chinese or Portuguese “greatness.” Drawing from sound studies and musicological methods, Chen argues that Chinese descriptions of Catholic sounds in Macau, including the ringing of church bells, the playing of the organ, and choral singing, illuminate spatial, sonic, and ideological mobilities that reconfigure Chinese and European identities. Macau and Catholic Music Across the Sino-Western Divide also extends to contemporary times to explore how present day members of Macau’s Catholic community position themselves in relation to the historical narratives often told about their city, cultivating a rich individuality of identity that refuses conformity to fixed notions of Asianness or Westernness. |
| format | Online |
| id | doab-20.500.12854ir-173033 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Michigan State University Press |
| publisherStr | Michigan State University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1730332026-03-01T06:19:29Z Macau and Catholic Sacred Music Across the Sino-Western Divide Chen, Jen-yen Macau Guangdong Music and mobility Multilingualism Global music history Sino-Western exchange SinocentrismPortuguese overseas empire Age of Discovery Music and colonialism Music and post-colonialism Catholicism in Asia Missionaries in Asia Jesuits in Asia Church of St. Paul College of St. Paul Seminary of St. Joseph Catholic sacred music Aureo Castro Doming Lam thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies For three centuries, the former Portuguese colony of Macau served as the gateway into mainland China and the locale for the development of an Asian Catholic culture that encompassed distinctive musical practices and styles. Macau and Catholic Music Across the Sino-Western Divide draws extensively upon historical documents in Chinese and Portuguese for a polylingual approach to Catholic sacred music. Jen-yen Chen follows this music from the sixteenth century through the twentieth by reading literary accounts of sound, primary source documents, and musical notation to examine the impacts of linguistic, political, and cultural divides and the ways sounds have traveled across these divides. Chen covers Chinese responses to Western sounds in Macau and southern China, illuminating the strategies for the use of sounds and musicking adopted by Jesuit missionaries; and the complexities of identity formation negotiated by Macau Catholics who confront exceptionalist historical discourses of Chinese or Portuguese “greatness.” Drawing from sound studies and musicological methods, Chen argues that Chinese descriptions of Catholic sounds in Macau, including the ringing of church bells, the playing of the organ, and choral singing, illuminate spatial, sonic, and ideological mobilities that reconfigure Chinese and European identities. Macau and Catholic Music Across the Sino-Western Divide also extends to contemporary times to explore how present day members of Macau’s Catholic community position themselves in relation to the historical narratives often told about their city, cultivating a rich individuality of identity that refuses conformity to fixed notions of Asianness or Westernness. 2026-03-01T06:19:24Z 2026-03-01T06:19:24Z 2026-02-28T19:53:44Z 2026 book https://library.oapen.org/handle/20.500.12657/110251 9780472905782 https://directory.doabooks.org/handle/20.500.12854/173033 eng Musics in Motion open access Michigan State University Press University of Michigan Press 10.3998/mpub.13011740 10.3998/mpub.13011740 aa7f6664-5117-41d8-90f8-c3af56526b92 9780472905782 University of Michigan Press 230 open access |
| spellingShingle | Macau Guangdong Music and mobility Multilingualism Global music history Sino-Western exchange SinocentrismPortuguese overseas empire Age of Discovery Music and colonialism Music and post-colonialism Catholicism in Asia Missionaries in Asia Jesuits in Asia Church of St. Paul College of St. Paul Seminary of St. Joseph Catholic sacred music Aureo Castro Doming Lam thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies Chen, Jen-yen Macau and Catholic Sacred Music Across the Sino-Western Divide |
| title | Macau and Catholic Sacred Music Across the Sino-Western Divide |
| title_full | Macau and Catholic Sacred Music Across the Sino-Western Divide |
| title_fullStr | Macau and Catholic Sacred Music Across the Sino-Western Divide |
| title_full_unstemmed | Macau and Catholic Sacred Music Across the Sino-Western Divide |
| title_short | Macau and Catholic Sacred Music Across the Sino-Western Divide |
| title_sort | macau and catholic sacred music across the sino western divide |
| topic | Macau Guangdong Music and mobility Multilingualism Global music history Sino-Western exchange SinocentrismPortuguese overseas empire Age of Discovery Music and colonialism Music and post-colonialism Catholicism in Asia Missionaries in Asia Jesuits in Asia Church of St. Paul College of St. Paul Seminary of St. Joseph Catholic sacred music Aureo Castro Doming Lam thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies |
| topic_facet | Macau Guangdong Music and mobility Multilingualism Global music history Sino-Western exchange SinocentrismPortuguese overseas empire Age of Discovery Music and colonialism Music and post-colonialism Catholicism in Asia Missionaries in Asia Jesuits in Asia Church of St. Paul College of St. Paul Seminary of St. Joseph Catholic sacred music Aureo Castro Doming Lam thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies |
| url | https://library.oapen.org/handle/20.500.12657/110251 |
| work_keys_str_mv | AT chenjenyen macauandcatholicsacredmusicacrossthesinowesterndivide |