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Empire, Media, and the Autonomous Woman

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Drawing lessons from the intersection of literature, photography, cinema, television, dance-drama, and ethnography, this book presents a unique analysis of Indian activist thought spread over two centuries. It discusses two presuppositions of liberal individualism: personal autonomy and ethical auto...

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Autor principal: Niyogi De, Esha
Format: Online
Idioma:anglès
Publicat: Oxford University Press 2026
Matèries:
Liberal individualism
Personal autonomy
Ethical autonomy
Non-Western cultures
Postcolonial cultures
Enlightenment
New Individualism
Rabindranath Tagore
Aparna Sen
Manjusri Chaki-Sircar
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000::DSBH5 Literary studies: postcolonial literature
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls
Accés en línia:https://library.oapen.org/handle/20.500.12657/110263
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Sumari:Drawing lessons from the intersection of literature, photography, cinema, television, dance-drama, and ethnography, this book presents a unique analysis of Indian activist thought spread over two centuries. It discusses two presuppositions of liberal individualism: personal autonomy and ethical autonomy. Besides, it argues that the ‘individual’ has been creatively indigenized in modern non-Western cultures: thinkers attentive to gender in postcolonial cultures embrace selected ethical premises of the Enlightenment and its human rights discourse while they refuse possessive individualism. Debating influential schools of postcolonial and transnational studies, the chapter provides radical argument through a rich tapestry of gender portrayals drawn from two moments of modern Indian thought: the rise of humanism in the colony and the growth of new individualism in contemporary liberalized India. From autobiographical texts by nineteenth century Bengali prostitutes, point-of-view photography, as well as women-centred dance-dramas and essays by Rabindranath Tagore to representation of Tagore's works on mainstream television, video, and stage; feminist cinema, choreography and performance by Aparna Sen and Manjusri Chaki-Sircar respectively—the book makes use of such and much more to creatively engage with empire, media, and gender.

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