Music Performers' Lived Experiences

The two volumes on Music Performers’ Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other...

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主要作者: Ruth Herbert, Asha Parkinson
格式: Online
語言:英语
出版: Taylor & Francis 2026
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在線閱讀:2577-3879
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author Ruth Herbert, Asha Parkinson
author_browse Ruth Herbert, Asha Parkinson
author_facet Ruth Herbert, Asha Parkinson
author_sort Ruth Herbert, Asha Parkinson
collection Directory of Open Access Books
description The two volumes on Music Performers’ Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs. The two volumes aim to “humanise” music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers’ Lived Experiences: Theory, Method, Interpretation , brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers have—as well as the personally meaningful lived experience narratives performers construct—presenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of “the composer” from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance. Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers.
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spelling doab-20.500.12854ir-1737372026-03-19T14:10:17Z Music Performers' Lived Experiences Ruth Herbert, Asha Parkinson Doğantan-Dack, Mine Music performer Performing arts Performers Performer's experiences Musicology Phenomenology Live performance Concert thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology The two volumes on Music Performers’ Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs. The two volumes aim to “humanise” music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers’ Lived Experiences: Theory, Method, Interpretation , brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers have—as well as the personally meaningful lived experience narratives performers construct—presenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of “the composer” from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance. Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers. 2026-03-19T14:10:16Z 2026-03-19T14:10:16Z 2026-03-02T18:23:38Z 2025 book 2577-3879 https://library.oapen.org/handle/20.500.12657/111159 9781003352778 9781032403724 9781032403731 https://directory.doabooks.org/handle/20.500.12854/173737 eng SEMPRE Studies in The Psychology of Music open access image/jpeg Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/111159/1/9781003352778.pdf Taylor & Francis Routledge 10.4324/9781003352778 10.4324/9781003352778 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 9781003352778 9781032403724 9781032403731 Routledge 1 London open access
spellingShingle Music performer
Performing arts
Performers
Performer's experiences
Musicology
Phenomenology
Live performance
Concert
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
Ruth Herbert, Asha Parkinson
Music Performers' Lived Experiences
title Music Performers' Lived Experiences
title_full Music Performers' Lived Experiences
title_fullStr Music Performers' Lived Experiences
title_full_unstemmed Music Performers' Lived Experiences
title_short Music Performers' Lived Experiences
title_sort music performers lived experiences
topic Music performer
Performing arts
Performers
Performer's experiences
Musicology
Phenomenology
Live performance
Concert
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
topic_facet Music performer
Performing arts
Performers
Performer's experiences
Musicology
Phenomenology
Live performance
Concert
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
url 2577-3879
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