On Music Theory, and Making Music More Welcoming for Everyone

Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous hurdles due to their racial identities. In On Music...

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Dades bibliogràfiques
Autor principal:	Ewell, Philip
Format:	Online
Idioma:	anglès
Publicat:	Michigan State University Press 2026
Matèries:	Music theory Musicology Classical music Whiteness Blackness Antiracism Antisexism White supremacy Patriarchy Racism Sexism Antiblackness Antisemitism Music textbooks Western canon Heinrich Schenker Journal of Schenkerian Studies Bothsideism Race scholarship Social studies Autoethnography thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVC Music reviews and criticism thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
Accés en línia:	https://library.oapen.org/handle/20.500.12657/110794
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On Music Theory, and Making Music More Welcoming for Everyone

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