Film and the Natural History of Destruction

Film and the Natural History of Destruction explores the interface between film, memory and ecological thought. It addresses several areas of crucial importance for contemporary film and media studies: biopolitics and ecological catastrophe, cultural memory and film in the Anthropocene, media archae...

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Yazar: Wright, Alan
Materyal Türü: Online
Dil:İngilizce
Baskı/Yayın Bilgisi: Taylor & Francis 2026
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Online Erişim:ONIX_20260415T184307_9781040841945_11
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author Wright, Alan
author_browse Wright, Alan
author_facet Wright, Alan
author_sort Wright, Alan
collection Directory of Open Access Books
description Film and the Natural History of Destruction explores the interface between film, memory and ecological thought. It addresses several areas of crucial importance for contemporary film and media studies: biopolitics and ecological catastrophe, cultural memory and film in the Anthropocene, media archaeology and the environmental humanities and, of course, the abiding relevance of Walter Benjamin’s work for critical theory and film studies. Benjamin’s essays on media and modernity have long been regarded as important texts for film studies. The concept of natural history, however, remains a neglected tool in Benjamin’s critical arsenal yet may provide a valuable theoretical resource for analysing the visual culture of the Anthropocene. As a medium of preservation, transmission, transformation and decay, film is inherently bound up in processes of natural and historical destruction. Film images, like fossils or ruins, reveal the imprint of history as it is embedded in forms of nonhuman temporality and nonhuman life. Alan Wright brings such moments of discontinuity and dislocation into stark relief by examining images and scenes from the films of Roberto Rossellini, Belà Tarr and David Lynch, alongside recent work by Bill Morrison, John Akomfrah and Patricio Guzmán. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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spelling doab-20.500.12854ir-1756372026-06-05T05:01:28Z Film and the Natural History of Destruction Wright, Alan Environmental humanities Media archaeology Biopolitics theory Anthropocene cinema studies Cultural memory research Mortuary art analysis Ecological catastrophe visual culture thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNR Natural disasters thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800 Film and the Natural History of Destruction explores the interface between film, memory and ecological thought. It addresses several areas of crucial importance for contemporary film and media studies: biopolitics and ecological catastrophe, cultural memory and film in the Anthropocene, media archaeology and the environmental humanities and, of course, the abiding relevance of Walter Benjamin’s work for critical theory and film studies. Benjamin’s essays on media and modernity have long been regarded as important texts for film studies. The concept of natural history, however, remains a neglected tool in Benjamin’s critical arsenal yet may provide a valuable theoretical resource for analysing the visual culture of the Anthropocene. As a medium of preservation, transmission, transformation and decay, film is inherently bound up in processes of natural and historical destruction. Film images, like fossils or ruins, reveal the imprint of history as it is embedded in forms of nonhuman temporality and nonhuman life. Alan Wright brings such moments of discontinuity and dislocation into stark relief by examining images and scenes from the films of Roberto Rossellini, Belà Tarr and David Lynch, alongside recent work by Bill Morrison, John Akomfrah and Patricio Guzmán. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. 2026-04-20T08:07:54Z 2026-04-20T08:07:54Z 2026-04-16T13:15:26Z 2026 book ONIX_20260415T184307_9781040841945_11 https://library.oapen.org/handle/20.500.12657/112472 9781040841945 9781003695509 9781040844496 https://directory.doabooks.org/handle/20.500.12854/175637 eng Green Media open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/112472/1/9781040841945.pdf https://library.oapen.org/bitstream/20.500.12657/112472/1/9781040841945.pdf https://library.oapen.org/bitstream/20.500.12657/112472/1/9781040841945.pdf Taylor & Francis Routledge 10.4324/9781003695509 10.4324/9781003695509 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 9781040841945 9781003695509 9781040844496 Knowledge Unlatched (KU) Routledge 206 Oxford open access
spellingShingle Environmental humanities
Media archaeology
Biopolitics theory
Anthropocene cinema studies
Cultural memory research
Mortuary art analysis
Ecological catastrophe visual culture
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNR Natural disasters
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres
thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
Wright, Alan
Film and the Natural History of Destruction
title Film and the Natural History of Destruction
title_full Film and the Natural History of Destruction
title_fullStr Film and the Natural History of Destruction
title_full_unstemmed Film and the Natural History of Destruction
title_short Film and the Natural History of Destruction
title_sort film and the natural history of destruction
topic Environmental humanities
Media archaeology
Biopolitics theory
Anthropocene cinema studies
Cultural memory research
Mortuary art analysis
Ecological catastrophe visual culture
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNR Natural disasters
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres
thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
topic_facet Environmental humanities
Media archaeology
Biopolitics theory
Anthropocene cinema studies
Cultural memory research
Mortuary art analysis
Ecological catastrophe visual culture
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNR Natural disasters
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres
thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
url ONIX_20260415T184307_9781040841945_11
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