Ozu and the Ethics of Indeterminacy

Ozu and the Ethics of Indeterminacy re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world and the formation of film studies as a discipline...

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Hlavní autor:	Miyao, Daisuke
Médium:	Online
Jazyk:	angličtina
Vydáno:	Duke University Press 2026
Témata:	Ozu Yasujiro Cinema Film studies Ethics Dialogue Japan World War II Auteurism National cinema Kiju Yoshida Emmanuel Levinas Cat Gaze Nonhuman Anthropocentrism Asian cinema Itagaki Yoichi Transcultural mimesis Great East Asia Co-prosperity Sphere Michael Raine Late Spring 1949 Cinematography Camera movement Sense of vision Tactility Depth of field Early Summer 1951 The Flavor of Green Tea over Rice 1952 Realism Melodrama Time History Postwar Tokyo Story 1953 Color films Red Bleach bypass Materiality Floating Weeds 1959 Repetition Habit Postponement thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
On-line přístup:	ONIX_20260429T161216_9781478062073_2
Tagy:	Přidat tag Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!

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Shrnutí:	Ozu and the Ethics of Indeterminacy re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world and the formation of film studies as a discipline.

Ozu and the Ethics of Indeterminacy

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