Cromatología de la ciudad imaginada Tunja
The second book in the Tunja 20th Century collection is dedicated to the first decades of the century, when a first phase of modernization of the city took place thru the implementation of public services, the adaptation of streets to new forms of locomotion, the emergence of new neighborhoods, and...
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| Format: | Online |
| Sprache: | Spanisch |
| Veröffentlicht: |
Universidad de Boyacá
2026
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| Online-Zugang: | https://directory.doabooks.org/handle/20.500.12854/176905 |
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| Zusammenfassung: | The second book in the Tunja 20th Century collection is dedicated to the first decades of the century, when a first phase of modernization of the city took place thru the implementation of public services, the adaptation of streets to new forms of locomotion, the emergence of new neighborhoods, and the construction of public urban facilities associated with anniversary celebrations. The chapters cover: the first addresses the transformation during the period; the second, the forms of urban growth; the third, the regulatory background; the fourth, infrastructures such as roads and railroad lines; the fifth, the works associated with the anniversaries celebrated; the sixth, the provision of domestic public services; the seventh, public spaces: streets, sidewalks, parks, and squares; the eighth, public facilities; and the ninth, the growth of neighborhoods and workers' housing. The publication arises as a result of the research project Colors of the Imagined City, which aimed to discover the color of the city of Tunja thru the study of its inhabitants' urban imaginaries. The research conducted was based on inquiries with citizens using various research tools, such as surveys, questionnaires, and interviews, which allowed for the collection of written and graphic information on the perceptions of the people of Tunja. The analysis of this information led to the construction of the color imagery and the chromatic relationships between the inhabitants and the city. The imagined colors were confronted with reality, in a photographic recording process at different points in the city. In this way, color palettes were born that synthesized the chromatic information of Tunja and allowed determining the nature of the chromatic values identified by the inhabitants, which, in many cases, are more related to affective loads and sensations than to the environment. |
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