תמונות העטיפה

Feindschaft – Verachtung

On literary representations of an emotion whose central significance for the history of tragedy and the tragic play has scarcely been explored: hatred. Hatred does not belong to the realm of fluid, dialogical speech, but aims at silencing, denigrating and destroying its object. Despite, or perhaps p...

תיאור מלא

שמור ב:
פורמט: Online
שפה:גרמנית
יצא לאור: Wallstein Verlag 2026
נושאים:
Theatre
Theatre Studies
Comparative Literature
Emotion
Degradation
Violence
Enemy
Contempt
Tragedy
Antiquity
17th century
18th century
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::D Biography, Literature and Literary studies::DD Plays, playscripts
גישה מקוונת:ONIX_20260529T115621_9783835381148_26
תגים: הוספת תג
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
סיכום:On literary representations of an emotion whose central significance for the history of tragedy and the tragic play has scarcely been explored: hatred. Hatred does not belong to the realm of fluid, dialogical speech, but aims at silencing, denigrating and destroying its object. Despite, or perhaps precisely because of, this borderline situation with the realm of physical violence, hate-filled speech acquires a particular dynamism and intensity, especially in drama. From a comparative perspective, the contributions in this volume examine the significance of hatred, enmity and contempt for the history of tragedy and the tragic play. They raise questions of media history regarding the staging of emotions, as well as connections to historical experiences of violence and war, and reveal the poetological, rhetorical, aesthetic and political significance of an emotion that is still neglected by research. Focusing on the 17th and 18th centuries, the volume examines a constellation in which the emotion of hatred—long-lasting in nature and aimed at the annihilation of its object—proves particularly productive.

פריטים דומים