Curatorial studies
This collection of essays raises a new critical reflection on a controversial and exciting topic that has brought historiographical, philological, and ethical reflections on the reenactment and the study of the history of exhibitions and performances since the 1990s. The issue of exhibition reenactm...
Wedi'i Gadw mewn:
| Fformat: | Online |
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| Iaith: | Eidaleg |
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Edizioni Ca’ Foscari – Venice University Press
2026
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| Pynciau: | |
| Mynediad Ar-lein: | 2610-9891 |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| _version_ | 1869514538099933184 |
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| collection | Directory of Open Access Books |
| description | This collection of essays raises a new critical reflection on a controversial and exciting topic that has brought historiographical, philological, and ethical reflections on the reenactment and the study of the history of exhibitions and performances since the 1990s. The issue of exhibition reenactment has led to a reflection in two areas: on the one hand, the reenactment not only of those auroral exhibitions of the 1970s in which performative acts were grafted onto a terrain of process art/‘arte povera’ or of those underground contexts or festivals that made a significant part of art history, but also with respect to early twentieth-century exhibitions. On the other hand, video art has to be addressed by considering its complex issues of preservation, as well as its possible transmutation into other media, when it should be defined as a document of a performance and when it should instead be considered a video-work to all intents and purposes even by the artist-creator. This book therefore covers topics ranging from the dialogue on the protagonists of the International Exhibitions of the Roman Secession between 1913 and 1916 to the establishment of the Milanese group Nuove Tendenze and their 1914 exhibition reenacted in 1980; from the reenactment of a section of the 1972 Venice Biennale in Comportamento. Venice Biennale 1972. Padiglione Italia 2017 set up at the Centro per l’arte contemporanea “Luigi Pecci di Prato” in 2017 to didactic experiences by Bruno Munari, to the performances by Tania Bruguera or Marina Abramović. The multiple lives of contemporary artistic practices are therefore analysed and enhanced through specific case studies and multiple voices. |
| format | Online |
| id | doab-20.500.12854ir-177190 |
| institution | Directory of Open Access Books |
| language | ita |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Edizioni Ca’ Foscari – Venice University Press |
| publisherStr | Edizioni Ca’ Foscari – Venice University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1771902026-06-06T05:15:04Z Curatorial studies Analogue Ana Mendieta Archive Authorship Avant-garde Centro per l’Arte Contemporanea Luigi Pecci di Pra Collection Cuban art Digital Videoarte a Palazzo dei Diamanti Exhibition Gennnaio 70 Exhibitions Famiglia Artistica Ferrara Ferrara 1973-1979/ 2015 Fondazione Giorgio Marconi Fondo Verifica 8+1 Francesco Arcangeli Franco Vaccari Futurism Germano Celant Germano Olivotto Gerry Schum Gino De Dominicis Harald Szeemann Impressionism Luciano Fabro Magiciens de la Terre Marina Abramović Mario Merz Mestre Modernism Neo-Avantgarde Nuove Tendenze PAC Milano Paolo Thea Performance Philology Postmodernism Preservation Reenactment Renato Barilli Secession Secessionism Tania Bruguera Venezia Venice Biennale Venice Biennale 1972 Verifica 8+1 Video Art When Attitudes Become Form Yoko Ono thema EDItEUR::A The Arts::AG The Arts: treatments and subjects thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies This collection of essays raises a new critical reflection on a controversial and exciting topic that has brought historiographical, philological, and ethical reflections on the reenactment and the study of the history of exhibitions and performances since the 1990s. The issue of exhibition reenactment has led to a reflection in two areas: on the one hand, the reenactment not only of those auroral exhibitions of the 1970s in which performative acts were grafted onto a terrain of process art/‘arte povera’ or of those underground contexts or festivals that made a significant part of art history, but also with respect to early twentieth-century exhibitions. On the other hand, video art has to be addressed by considering its complex issues of preservation, as well as its possible transmutation into other media, when it should be defined as a document of a performance and when it should instead be considered a video-work to all intents and purposes even by the artist-creator. This book therefore covers topics ranging from the dialogue on the protagonists of the International Exhibitions of the Roman Secession between 1913 and 1916 to the establishment of the Milanese group Nuove Tendenze and their 1914 exhibition reenacted in 1980; from the reenactment of a section of the 1972 Venice Biennale in Comportamento. Venice Biennale 1972. Padiglione Italia 2017 set up at the Centro per l’arte contemporanea “Luigi Pecci di Prato” in 2017 to didactic experiences by Bruno Munari, to the performances by Tania Bruguera or Marina Abramović. The multiple lives of contemporary artistic practices are therefore analysed and enhanced through specific case studies and multiple voices. 2026-06-06T05:15:02Z 2026-06-06T05:15:02Z 2026-06-05T14:47:25Z 2023 book 2610-9891 https://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-760-9/ https://library.oapen.org/handle/20.500.12657/114009 9788869697609 https://directory.doabooks.org/handle/20.500.12854/177190 ita Storie dell’arte contemporanea open access image/jpeg https://library.oapen.org/bitstream/20.500.12657/114009/4/eb8d16c6-e9d9-4b79-8086-0df7cfcec8ee.pdf Edizioni Ca’ Foscari – Venice University Press 10.30687/978-88-6969-760-9 10.30687/978-88-6969-760-9 9788869697609 Edizioni Ca’ Foscari – Venice University Press None Venice, Italy open access |
| spellingShingle | Analogue Ana Mendieta Archive Authorship Avant-garde Centro per l’Arte Contemporanea Luigi Pecci di Pra Collection Cuban art Digital Videoarte a Palazzo dei Diamanti Exhibition Gennnaio 70 Exhibitions Famiglia Artistica Ferrara Ferrara 1973-1979/ 2015 Fondazione Giorgio Marconi Fondo Verifica 8+1 Francesco Arcangeli Franco Vaccari Futurism Germano Celant Germano Olivotto Gerry Schum Gino De Dominicis Harald Szeemann Impressionism Luciano Fabro Magiciens de la Terre Marina Abramović Mario Merz Mestre Modernism Neo-Avantgarde Nuove Tendenze PAC Milano Paolo Thea Performance Philology Postmodernism Preservation Reenactment Renato Barilli Secession Secessionism Tania Bruguera Venezia Venice Biennale Venice Biennale 1972 Verifica 8+1 Video Art When Attitudes Become Form Yoko Ono thema EDItEUR::A The Arts::AG The Arts: treatments and subjects thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies Curatorial studies |
| title | Curatorial studies |
| title_full | Curatorial studies |
| title_fullStr | Curatorial studies |
| title_full_unstemmed | Curatorial studies |
| title_short | Curatorial studies |
| title_sort | curatorial studies |
| topic | Analogue Ana Mendieta Archive Authorship Avant-garde Centro per l’Arte Contemporanea Luigi Pecci di Pra Collection Cuban art Digital Videoarte a Palazzo dei Diamanti Exhibition Gennnaio 70 Exhibitions Famiglia Artistica Ferrara Ferrara 1973-1979/ 2015 Fondazione Giorgio Marconi Fondo Verifica 8+1 Francesco Arcangeli Franco Vaccari Futurism Germano Celant Germano Olivotto Gerry Schum Gino De Dominicis Harald Szeemann Impressionism Luciano Fabro Magiciens de la Terre Marina Abramović Mario Merz Mestre Modernism Neo-Avantgarde Nuove Tendenze PAC Milano Paolo Thea Performance Philology Postmodernism Preservation Reenactment Renato Barilli Secession Secessionism Tania Bruguera Venezia Venice Biennale Venice Biennale 1972 Verifica 8+1 Video Art When Attitudes Become Form Yoko Ono thema EDItEUR::A The Arts::AG The Arts: treatments and subjects thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies |
| topic_facet | Analogue Ana Mendieta Archive Authorship Avant-garde Centro per l’Arte Contemporanea Luigi Pecci di Pra Collection Cuban art Digital Videoarte a Palazzo dei Diamanti Exhibition Gennnaio 70 Exhibitions Famiglia Artistica Ferrara Ferrara 1973-1979/ 2015 Fondazione Giorgio Marconi Fondo Verifica 8+1 Francesco Arcangeli Franco Vaccari Futurism Germano Celant Germano Olivotto Gerry Schum Gino De Dominicis Harald Szeemann Impressionism Luciano Fabro Magiciens de la Terre Marina Abramović Mario Merz Mestre Modernism Neo-Avantgarde Nuove Tendenze PAC Milano Paolo Thea Performance Philology Postmodernism Preservation Reenactment Renato Barilli Secession Secessionism Tania Bruguera Venezia Venice Biennale Venice Biennale 1972 Verifica 8+1 Video Art When Attitudes Become Form Yoko Ono thema EDItEUR::A The Arts::AG The Arts: treatments and subjects thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies |
| url | 2610-9891 |