al-Farāfīr

Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Si...

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Format: Online
Sprog:italiensk
Udgivet: Edizioni Ca’ Foscari – Venice University Press 2026
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Online adgang:2610-8909
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collection Directory of Open Access Books
description Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate.
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publishDate 2026
publishDateRange 2026
publishDateSort 2026
publisher Edizioni Ca’ Foscari – Venice University Press
publisherStr Edizioni Ca’ Foscari – Venice University Press
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spelling doab-20.500.12854ir-1773212026-06-09T05:13:25Z al-Farāfīr Arabic theatre Egyptian drama Tamasruḥ Yūsuf Idrīs thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate. 2026-06-09T05:13:24Z 2026-06-09T05:13:24Z 2026-06-08T14:48:35Z 2018 book 2610-8909 https://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-254-3/ https://library.oapen.org/handle/20.500.12657/114067 9788869692406 https://directory.doabooks.org/handle/20.500.12854/177321 ita I grandi libri della letteratura araba open access image/jpeg https://library.oapen.org/bitstream/20.500.12657/114067/4/9788869692406.pdf Edizioni Ca’ Foscari – Venice University Press 10.30687/978-88-6969-240-6 10.30687/978-88-6969-240-6 9788869692406 Edizioni Ca’ Foscari – Venice University Press None Venice, Italy open access
spellingShingle Arabic theatre
Egyptian drama
Tamasruḥ
Yūsuf Idrīs
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
al-Farāfīr
title al-Farāfīr
title_full al-Farāfīr
title_fullStr al-Farāfīr
title_full_unstemmed al-Farāfīr
title_short al-Farāfīr
title_sort al farafir
topic Arabic theatre
Egyptian drama
Tamasruḥ
Yūsuf Idrīs
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
topic_facet Arabic theatre
Egyptian drama
Tamasruḥ
Yūsuf Idrīs
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
url 2610-8909