Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI
Irony has always been in the center of a continuous debate of scholars of many different scientific disciplines. It is a game and a revolution: it overthrows the world, and transforms it. It can be present in all kinds of communication (rhetoric and artistic literature, theater and dialogue, questio...
Wedi'i Gadw mewn:
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| Fformat: | Online |
| Iaith: | Eidaleg |
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Wydawnictwo Uniwersytetu Łódzkiego
2026
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| Pynciau: | |
| Mynediad Ar-lein: | ONIX_20260612T144849_9788381423854_38 |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| _version_ | 1869518642805211136 |
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| author | Cavallo, Stefano |
| author_browse | Cavallo, Stefano |
| author_facet | Cavallo, Stefano |
| author_sort | Cavallo, Stefano |
| collection | Directory of Open Access Books |
| description | Irony has always been in the center of a continuous debate of scholars of many different scientific disciplines. It is a game and a revolution: it overthrows the world, and transforms it. It can be present in all kinds of communication (rhetoric and artistic literature, theater and dialogue, question and silent response) and in all forms of media (web, movies, radio and the press). Over the centuries, to its original meaning, the complementary one have been added: from – firstly – ‘εἰρωνεία’, ‘eironeia’, meant a synonym of polimorphicness (‘πολυτροπία’, ‘politropìa’, and that is why ‘πολύτροπος’ — ‘politropos’, polymorphic — is used to define the genius of Ulysses, in the Odyssey), to the implication of hypocrisy, falseness and pretended ignorance and even lie; but – with Socrates – irony becomes the instrument of revealing the truth (‘ἀλήθεια’ – ‘alèteia’). However, in the classical acceptation, it remains an element which belongs to interpretation, and therefore to ‘δόξα’, ‘doxa’ (‘opinion’), rather than to ‘λόγος’, ‘lògos’ (‘word’, ‘speech’)._x000D_ An element, which should be mentioned, and which is unprecedented, is the relationship between irony and the well known theatre anthropologist Eugenio Barba’s sats (the jump). Another element that should be mentioned, is a type of irony, which – we think – up to now has never been analyzed: cultural quotation irony (a type of semasiological xenism) that is a kind of irony depending on references to a certain culture, for example to Italian culture. Hence, the proposal to this constitutes a new category of irony. |
| format | Online |
| id | doab-20.500.12854ir-177552 |
| institution | Directory of Open Access Books |
| language | ita |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Wydawnictwo Uniwersytetu Łódzkiego |
| publisherStr | Wydawnictwo Uniwersytetu Łódzkiego |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1775522026-06-12T13:54:04Z Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI Cavallo, Stefano Irony in Italian language Theories of irony Grice Neo-griceans and post-griceans thema EDItEUR::C Language and Linguistics::CF Linguistics Irony has always been in the center of a continuous debate of scholars of many different scientific disciplines. It is a game and a revolution: it overthrows the world, and transforms it. It can be present in all kinds of communication (rhetoric and artistic literature, theater and dialogue, question and silent response) and in all forms of media (web, movies, radio and the press). Over the centuries, to its original meaning, the complementary one have been added: from – firstly – ‘εἰρωνεία’, ‘eironeia’, meant a synonym of polimorphicness (‘πολυτροπία’, ‘politropìa’, and that is why ‘πολύτροπος’ — ‘politropos’, polymorphic — is used to define the genius of Ulysses, in the Odyssey), to the implication of hypocrisy, falseness and pretended ignorance and even lie; but – with Socrates – irony becomes the instrument of revealing the truth (‘ἀλήθεια’ – ‘alèteia’). However, in the classical acceptation, it remains an element which belongs to interpretation, and therefore to ‘δόξα’, ‘doxa’ (‘opinion’), rather than to ‘λόγος’, ‘lògos’ (‘word’, ‘speech’)._x000D_ An element, which should be mentioned, and which is unprecedented, is the relationship between irony and the well known theatre anthropologist Eugenio Barba’s sats (the jump). Another element that should be mentioned, is a type of irony, which – we think – up to now has never been analyzed: cultural quotation irony (a type of semasiological xenism) that is a kind of irony depending on references to a certain culture, for example to Italian culture. Hence, the proposal to this constitutes a new category of irony. 2026-06-12T13:54:02Z 2026-06-12T13:54:02Z 2019 book ONIX_20260612T144849_9788381423854_38 9788381423854 9788381423847 https://directory.doabooks.org/handle/20.500.12854/177552 ita image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://press.uni.lodz.pl/index.php/wul/pl/catalog/book/1377 Wydawnictwo Uniwersytetu Łódzkiego electronic 10.18778/8142-385-4 Irony has always been in the center of a continuous debate of scholars of many different scientific disciplines. It is a game and a revolution: it overthrows the world, and transforms it. It can be present in all kinds of communication (rhetoric and artistic literature, theater and dialogue, question and silent response) and in all forms of media (web, movies, radio and the press). Over the centuries, to its original meaning, the complementary one have been added: from – firstly – ‘εἰρωνεία’, ‘eironeia’, meant a synonym of polimorphicness (‘πολυτροπία’, ‘politropìa’, and that is why ‘πολύτροπος’ — ‘politropos’, polymorphic — is used to define the genius of Ulysses, in the Odyssey), to the implication of hypocrisy, falseness and pretended ignorance and even lie; but – with Socrates – irony becomes the instrument of revealing the truth (‘ἀλήθεια’ – ‘alèteia’). However, in the classical acceptation, it remains an element which belongs to interpretation, and therefore to ‘δόξα’, ‘doxa’ (‘opinion’), rather than to ‘λόγος’, ‘lògos’ (‘word’, ‘speech’)._x000D_ An element, which should be mentioned, and which is unprecedented, is the relationship between irony and the well known theatre anthropologist Eugenio Barba’s sats (the jump). Another element that should be mentioned, is a type of irony, which – we think – up to now has never been analyzed: cultural quotation irony (a type of semasiological xenism) that is a kind of irony depending on references to a certain culture, for example to Italian culture. Hence, the proposal to this constitutes a new category of irony. 10.18778/8142-385-4 83bfe9c9-323d-4283-b087-d859fd9af314 9788381423854 9788381423847 electronic open access |
| spellingShingle | Irony in Italian language Theories of irony Grice Neo-griceans and post-griceans thema EDItEUR::C Language and Linguistics::CF Linguistics Cavallo, Stefano Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI |
| title | Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI |
| title_full | Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI |
| title_fullStr | Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI |
| title_full_unstemmed | Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI |
| title_short | Analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del XX secolo e l’inizio del XXI |
| title_sort | analisi di enunciati ironici nella lingua italiana della cultura e dei media tra la fine del xx secolo e l inizio del xxi |
| topic | Irony in Italian language Theories of irony Grice Neo-griceans and post-griceans thema EDItEUR::C Language and Linguistics::CF Linguistics |
| topic_facet | Irony in Italian language Theories of irony Grice Neo-griceans and post-griceans thema EDItEUR::C Language and Linguistics::CF Linguistics |
| url | ONIX_20260612T144849_9788381423854_38 |
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