Os Clássicos e o teatro
In the first part, the myths of Antigone, Medea and Heracles are studied, as well as those we could include under the headings “Trojan myth” and “Theban myth”. Occasionally, consideration of the fragmentary plays broadens the horizon. Greek and Latin comedy is also the subject of several studies,...
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| Главные авторы: | , , |
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| Формат: | Online |
| Язык: | португальский |
| Опубликовано: |
Coimbra University Press
2026
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| Предметы: | |
| Online-ссылка: | https://directory.doabooks.org/handle/20.500.12854/178026 |
| Метки: |
Нет меток, Требуется 1-ая метка записи!
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| Итог: | In the first part, the myths of Antigone, Medea and Heracles are studied, as well as those we could include under the headings “Trojan myth” and “Theban myth”. Occasionally, consideration of the fragmentary plays broadens the horizon.
Greek and Latin comedy is also the subject of several studies, in which the theater of Aristophanes and Plautus are highlighted. Plato, a notable spectator and witness to a ‘hot’ reading of his contemporary dramatic production, has a place in a reflection in which the audience is an unavoidable presupposition.
The second part of the volume is made up of a significant number of reception studies, spanning centuries from the 16th century to the present day. According to the diverse origins of the authors, these studies mainly concern Europe and Latin America. The proximity of the various scholars who take part in this volume to the geographical and cultural reality in which the rewritings under analysis were produced is a guarantee of their ability to produce an essential framework for understanding the variants involved. On the other hand, its academic identity justifies the fact that the approach is not only literary, but also dramatic and scenic.
Finally, two chapters are dedicated to the way in which our world, totally surrendered to computer media, has opened up new channels for inventorying, recording, comparing and analyzing the study of the Classics. And once again, as always, the ‘old’ texts have been able to assert their incredible versatility. |
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