Musical worlds in Yogyakarta

Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakar...

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Autor principal: Richter, Max M.
Formato: Online
Idioma:inglês
Publicado em: Brill 2021
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Acesso em linha:420987
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author Richter, Max M.
author_browse Richter, Max M.
author_facet Richter, Max M.
author_sort Richter, Max M.
collection Directory of Open Access Books
description Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (‘mixed essences’) and jalanan (‘of the street’). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia.
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spelling doab-20.500.12854ir-260332025-07-30T09:00:25Z Musical worlds in Yogyakarta Richter, Max M. performing arts sociology urban life yogyakarta music indonesia Campursari Cycle rickshaw Dangdut Jalan Malioboro Javanese people thema EDItEUR::J Society and Social Sciences thema EDItEUR::J Society and Social Sciences Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (‘mixed essences’) and jalanan (‘of the street’). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia. 2021-02-10T12:58:18Z 2012-07-03 00:00:00 2020-04-01T15:18:50Z 2012 book 420987 OCN: 871839560 900416081 1572-2892;1572-1892 http://library.oapen.org/handle/20.500.12657/34519 9789004253490 https://directory.doabooks.org/handle/20.500.12854/26033 eng Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde open access image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/34519/1/420987.pdf https://library.oapen.org/bitstream/20.500.12657/34519/1/420987.pdf https://library.oapen.org/bitstream/20.500.12657/34519/1/420987.pdf https://library.oapen.org/bitstream/20.500.12657/34519/1/420987.pdf Brill 10.26530/OAPEN_420987 10.26530/OAPEN_420987 33fecb33-e7c4-4fc8-96b0-7ba2fccafba9 9789004253490 222 Leiden - Boston open access
spellingShingle performing arts
sociology
urban life
yogyakarta
music
indonesia
Campursari
Cycle rickshaw
Dangdut
Jalan Malioboro
Javanese people
thema EDItEUR::J Society and Social Sciences
thema EDItEUR::J Society and Social Sciences
Richter, Max M.
Musical worlds in Yogyakarta
title Musical worlds in Yogyakarta
title_full Musical worlds in Yogyakarta
title_fullStr Musical worlds in Yogyakarta
title_full_unstemmed Musical worlds in Yogyakarta
title_short Musical worlds in Yogyakarta
title_sort musical worlds in yogyakarta
topic performing arts
sociology
urban life
yogyakarta
music
indonesia
Campursari
Cycle rickshaw
Dangdut
Jalan Malioboro
Javanese people
thema EDItEUR::J Society and Social Sciences
thema EDItEUR::J Society and Social Sciences
topic_facet performing arts
sociology
urban life
yogyakarta
music
indonesia
Campursari
Cycle rickshaw
Dangdut
Jalan Malioboro
Javanese people
thema EDItEUR::J Society and Social Sciences
thema EDItEUR::J Society and Social Sciences
url 420987
work_keys_str_mv AT richtermaxm musicalworldsinyogyakarta