Experimental Affinities in Music

Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden t...

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1. Verfasser: de Assis, Paulo
Format: Online
Sprache:Englisch
Veröffentlicht: Leuven University Press 2021
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author de Assis, Paulo
author_browse de Assis, Paulo
author_facet de Assis, Paulo
author_sort de Assis, Paulo
collection Directory of Open Access Books
description Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. (publishing partner ‘Orpheus Institute’)
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spelling doab-20.500.12854ir-261242025-05-08T04:21:38Z Experimental Affinities in Music de Assis, Paulo recitation artistic experimentation expression music theory experimentation musical meaning orpheus institute series interpretation experiments performance Music theory Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. (publishing partner ‘Orpheus Institute’) 2021-02-10T12:58:18Z 2015-12-31 23:55:55 2019-05-13 14:54:12 2020-04-01T14:23:05Z 2015 book 587990 OCN: 948825219 http://library.oapen.org/handle/20.500.12657/32935 9789461661883 https://directory.doabooks.org/handle/20.500.12854/26124 eng Orpheus Institute Series open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdf https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdf https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdf https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdf https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdf Leuven University Press 10.26530/OAPEN_587990 10.26530/OAPEN_587990 9e472607-bec3-4b15-ba3f-f05039722389 FP7 Ideas: European Research Council 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9789461661883 European Research Council (ERC) EU collection 252 Belgium, Leuven 313419 FP7 SC39 open access
spellingShingle recitation
artistic experimentation
expression
music theory
experimentation
musical meaning
orpheus institute series
interpretation
experiments
performance
Music theory
de Assis, Paulo
Experimental Affinities in Music
title Experimental Affinities in Music
title_full Experimental Affinities in Music
title_fullStr Experimental Affinities in Music
title_full_unstemmed Experimental Affinities in Music
title_short Experimental Affinities in Music
title_sort experimental affinities in music
topic recitation
artistic experimentation
expression
music theory
experimentation
musical meaning
orpheus institute series
interpretation
experiments
performance
Music theory
topic_facet recitation
artistic experimentation
expression
music theory
experimentation
musical meaning
orpheus institute series
interpretation
experiments
performance
Music theory
url 587990
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