Digital Light
Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical...
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| Formaat: | Online |
| Taal: | Engels |
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Open Humanities Press
2021
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| Online toegang: | 548050 |
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| _version_ | 1869521989902794752 |
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| author | Cubitt, Sean Palmer, Daniel Tkacz, Nathaniel |
| author_browse | Cubitt, Sean Palmer, Daniel Tkacz, Nathaniel |
| author_facet | Cubitt, Sean Palmer, Daniel Tkacz, Nathaniel |
| author_sort | Cubitt, Sean |
| collection | Directory of Open Access Books |
| description | Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another. Light is at once universal and deeply historical. The invention of mechanical media (including photography and cinematography) allied with changing print technologies (half-tone, lithography) helped structure the emerging electronic media of television and video, which in turn shaped the bitmap processing and raster display of digital visual media. Digital light is, as Stephen Jones points out in his contribution, an oxymoron: light is photons, particulate and discrete, and therefore always digital. But photons are also waveforms, subject to manipulation in myriad ways. From Fourier transforms to chip design, colour management to the translation of vector graphics into arithmetic displays, light is constantly disciplined to human purposes. In the form of fibre optics, light is now the infrastructure of all our media; in urban plazas and handheld devices, screens have become ubiquitous, and also standardised. This collection addresses how this occurred, what it means, and how artists, curators and engineers confront and challenge the constraints of increasingly normalised digital visual media.
While various art pieces and other content are considered throughout the collection, the focus is specifically on what such pieces suggest about the intersection of technique and technology. Including accounts by prominent artists and professionals, the collection emphasises the centrality of use and experimentation in the shaping of technological platforms. Indeed, a recurring theme is how techniques of previous media become technologies, inscribed in both digital software and hardware. Contributions include considerations of image-oriented software and file formats; screen technologies; projection and urban screen surfaces; histories of computer graphics, 2D and 3D image editing software, photography and cinematic art; and transformations of light-based art resulting from the distributed architectures of the internet and the logic of the database.
Digital Light brings together high profile figures in diverse but increasingly convergent fields, from academy award-winner and co-founder of Pixar, Alvy Ray Smith to feminist philosopher Cathryn Vasseleu. |
| format | Online |
| id | doab-20.500.12854ir-26430 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Open Humanities Press |
| publisherStr | Open Humanities Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-264302025-07-30T08:59:09Z Digital Light Cubitt, Sean Palmer, Daniel Tkacz, Nathaniel photography digital visual media print digital light-based technologies mechanical media projection video light paint electronic media technology technique film Transparency and translucency thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another. Light is at once universal and deeply historical. The invention of mechanical media (including photography and cinematography) allied with changing print technologies (half-tone, lithography) helped structure the emerging electronic media of television and video, which in turn shaped the bitmap processing and raster display of digital visual media. Digital light is, as Stephen Jones points out in his contribution, an oxymoron: light is photons, particulate and discrete, and therefore always digital. But photons are also waveforms, subject to manipulation in myriad ways. From Fourier transforms to chip design, colour management to the translation of vector graphics into arithmetic displays, light is constantly disciplined to human purposes. In the form of fibre optics, light is now the infrastructure of all our media; in urban plazas and handheld devices, screens have become ubiquitous, and also standardised. This collection addresses how this occurred, what it means, and how artists, curators and engineers confront and challenge the constraints of increasingly normalised digital visual media. While various art pieces and other content are considered throughout the collection, the focus is specifically on what such pieces suggest about the intersection of technique and technology. Including accounts by prominent artists and professionals, the collection emphasises the centrality of use and experimentation in the shaping of technological platforms. Indeed, a recurring theme is how techniques of previous media become technologies, inscribed in both digital software and hardware. Contributions include considerations of image-oriented software and file formats; screen technologies; projection and urban screen surfaces; histories of computer graphics, 2D and 3D image editing software, photography and cinematic art; and transformations of light-based art resulting from the distributed architectures of the internet and the logic of the database. Digital Light brings together high profile figures in diverse but increasingly convergent fields, from academy award-winner and co-founder of Pixar, Alvy Ray Smith to feminist philosopher Cathryn Vasseleu. 2021-02-10T12:58:18Z 2015-06-03 00:00:00 2020-04-01T14:36:21Z 2015 book 548050 OCN: 918559714 http://library.oapen.org/handle/20.500.12657/33200 9781785420085 https://directory.doabooks.org/handle/20.500.12854/26430 eng Fibreculture Books open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International Attribution-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/33200/1/548050.pdf https://library.oapen.org/bitstream/20.500.12657/33200/1/548050.pdf https://library.oapen.org/bitstream/20.500.12657/33200/1/548050.pdf https://library.oapen.org/bitstream/20.500.12657/33200/1/548050.pdf https://library.oapen.org/bitstream/20.500.12657/33200/1/548050.pdf Open Humanities Press 10.26530/OAPEN_548050 10.26530/OAPEN_548050 d3c5bd18-f778-4237-a73b-dd99e8cf7c24 9781785420085 224 open access |
| spellingShingle | photography digital visual media digital light-based technologies mechanical media projection video light paint electronic media technology technique film Transparency and translucency thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies Cubitt, Sean Palmer, Daniel Tkacz, Nathaniel Digital Light |
| title | Digital Light |
| title_full | Digital Light |
| title_fullStr | Digital Light |
| title_full_unstemmed | Digital Light |
| title_short | Digital Light |
| title_sort | digital light |
| topic | photography digital visual media digital light-based technologies mechanical media projection video light paint electronic media technology technique film Transparency and translucency thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies |
| topic_facet | photography digital visual media digital light-based technologies mechanical media projection video light paint electronic media technology technique film Transparency and translucency thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies |
| url | 548050 |
| work_keys_str_mv | AT cubittsean digitallight AT palmerdaniel digitallight AT tkacznathaniel digitallight |