Stage women, 1900–50
Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participated in networks of professional practice in the theatre and performance industries between 1900 and 1950. A timely volume full of original research, the book explores women’s complex negotiations of t...
Сохранить в:
| Главные авторы: | , |
|---|---|
| Формат: | Online |
| Язык: | английский |
| Опубликовано: |
Manchester University Press
2019
|
| Предметы: | |
| Online-ссылка: | 1005175 |
| Метки: |
Нет меток, Требуется 1-ая метка записи!
|
| _version_ | 1869519883090264064 |
|---|---|
| author | Gale , Maggie B. Dorney, Kate |
| author_browse | Dorney, Kate Gale , Maggie B. |
| author_facet | Gale , Maggie B. Dorney, Kate |
| author_sort | Gale , Maggie B. |
| collection | Directory of Open Access Books |
| description | Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participated in networks of professional practice in the theatre and performance industries between 1900 and 1950. A timely volume full of original research, the book explores women’s complex negotiations of their agency over both their labour and public representation, and their use of personal and professional networks to sustain their careers. Including a series of case studies that explore a range of well-known and lesser-known women working in theatre, film and popular performance of the period. The volume is divided into two connected parts. ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on- and offstage – and autobiography, activism, technique, touring, education and the law. Part II, ‘Women and popular performance’, focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros, and Oscar-winning film star Margaret Rutherford. Overall, the book provides new and vibrant cultural histories of women’s work in the theatre and performance industries of the period. |
| format | Online |
| id | doab-20.500.12854ir-26592 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2019 |
| publishDateRange | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| publisherStr | Manchester University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-265922025-07-30T08:59:16Z Stage women, 1900–50 Gale , Maggie B. Dorney, Kate women theatre professionalisation professional networks theatre historiography thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participated in networks of professional practice in the theatre and performance industries between 1900 and 1950. A timely volume full of original research, the book explores women’s complex negotiations of their agency over both their labour and public representation, and their use of personal and professional networks to sustain their careers. Including a series of case studies that explore a range of well-known and lesser-known women working in theatre, film and popular performance of the period. The volume is divided into two connected parts. ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on- and offstage – and autobiography, activism, technique, touring, education and the law. Part II, ‘Women and popular performance’, focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros, and Oscar-winning film star Margaret Rutherford. Overall, the book provides new and vibrant cultural histories of women’s work in the theatre and performance industries of the period. 2019-12-03 08:32:13 2020-04-01T10:14:24Z 2019 book 1005175 OCN: 1126206414 http://library.oapen.org/handle/20.500.12657/24931 9781526147271 https://directory.doabooks.org/handle/20.500.12854/26592 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/24931/1/9781526147271_fullhl.pdf https://library.oapen.org/bitstream/20.500.12657/24931/1/9781526147271_fullhl.pdf https://library.oapen.org/bitstream/20.500.12657/24931/1/9781526147271_fullhl.pdf https://library.oapen.org/bitstream/20.500.12657/24931/1/9781526147271_fullhl.pdf https://library.oapen.org/bitstream/20.500.12657/24931/1/9781526147271_fullhl.pdf Manchester University Press 10.7765/9781526147271 10.7765/9781526147271 bcb4ab08-c525-4e6c-88e5-a0cf0a175533 University of Manchester 9781526147271 328 Manchester, UK open access |
| spellingShingle | women theatre professionalisation professional networks theatre historiography thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory Gale , Maggie B. Dorney, Kate Stage women, 1900–50 |
| title | Stage women, 1900–50 |
| title_full | Stage women, 1900–50 |
| title_fullStr | Stage women, 1900–50 |
| title_full_unstemmed | Stage women, 1900–50 |
| title_short | Stage women, 1900–50 |
| title_sort | stage women 1900 50 |
| topic | women theatre professionalisation professional networks theatre historiography thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory |
| topic_facet | women theatre professionalisation professional networks theatre historiography thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory |
| url | 1005175 |
| work_keys_str_mv | AT galemaggieb stagewomen190050 AT dorneykate stagewomen190050 |