The Jazz Republic

The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German...

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Auteur principal: Wipplinger, Jonathan O.
Format: Online
Langue:anglais
Publié: University of Michigan Press 2021
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Accès en ligne:628781
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author Wipplinger, Jonathan O.
author_browse Wipplinger, Jonathan O.
author_facet Wipplinger, Jonathan O.
author_sort Wipplinger, Jonathan O.
collection Directory of Open Access Books
description The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture. By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way.
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spelling doab-20.500.12854ir-271102025-07-30T07:47:08Z The Jazz Republic Wipplinger, Jonathan O. History Berlin Germany Jazz Race and ethnicity in the United States Census Theodor W. Adorno Weimar Republic The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture. By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way. 2021-02-10T12:58:18Z 2017-04-01 23:55:55 2020-03-12 03:00:30 2020-04-01T13:33:24Z 2017-04-03 book 628781 OCN: 990803646 http://library.oapen.org/handle/20.500.12657/31384 9780472073405 https://directory.doabooks.org/handle/20.500.12854/27110 eng Social History, Popular Culture, and Politics in Germany open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf https://library.oapen.org/bitstream/20.500.12657/31384/1/628781.pdf University of Michigan Press 10.3998/mpub.9416956 10.3998/mpub.9416956 b7359529-e5f7-4510-a59f-d7dafa1d4d17 Knowledge Unlatched b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780472073405 Knowledge Unlatched (KU) KU Select 2016 Front List Collection Ann Arbor 100388 KU Select 2016 Front List Collection open access
spellingShingle History
Berlin
Germany
Jazz
Race and ethnicity in the United States Census
Theodor W. Adorno
Weimar Republic
Wipplinger, Jonathan O.
The Jazz Republic
title The Jazz Republic
title_full The Jazz Republic
title_fullStr The Jazz Republic
title_full_unstemmed The Jazz Republic
title_short The Jazz Republic
title_sort jazz republic
topic History
Berlin
Germany
Jazz
Race and ethnicity in the United States Census
Theodor W. Adorno
Weimar Republic
topic_facet History
Berlin
Germany
Jazz
Race and ethnicity in the United States Census
Theodor W. Adorno
Weimar Republic
url 628781
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