Adorno versus Lyotard

It is well known that Theodor W. Adorno’s aesthetic theory is grounded in his profound musical knowledge. The importance of music for Jean-François Lyotard, however, has not been adequately recognized until today; neither has the fact that Lyotard was strongly influenced by Adorno. Tracing back the...

Disgrifiad llawn

Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Kogler, Susanne
Fformat: Online
Iaith:Almaeneg
Cyhoeddwyd: Verlag Karl Alber 2021
Pynciau:
Mynediad Ar-lein:496956
Tagiau: Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
_version_ 1869519311110930432
author Kogler, Susanne
author_browse Kogler, Susanne
author_facet Kogler, Susanne
author_sort Kogler, Susanne
collection Directory of Open Access Books
description It is well known that Theodor W. Adorno’s aesthetic theory is grounded in his profound musical knowledge. The importance of music for Jean-François Lyotard, however, has not been adequately recognized until today; neither has the fact that Lyotard was strongly influenced by Adorno. Tracing back the development of Lyotard’s thought from his “pagan” beginnings to his late conception of an informal art, the book intends to initiate an adequate reception of Lyotard’s œuvre from a musicological viewpoint. Moreover, as a first comprehensive comparison of Lyotard‘s and Adorno’s theories on art, the study contributes to the exploration of Critical Theory’s reception in France.
format Online
id doab-20.500.12854ir-28169
institution Directory of Open Access Books
language ger
publishDate 2021
publishDateRange 2021
publishDateSort 2021
publisher Verlag Karl Alber
publisherStr Verlag Karl Alber
record_format ojs
spelling doab-20.500.12854ir-281692025-07-21T15:58:24Z Adorno versus Lyotard Kogler, Susanne Adorno Lyotard Aesthetics Postmodernism Modernism Contemporary Music Adorno Lyotard Ästhetik Postmoderne Moderne zeitgenössische Musik Immanuel Kant Jean-François Lyotard München Philosophie Theodor W. Adorno Verlag Herder thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music It is well known that Theodor W. Adorno’s aesthetic theory is grounded in his profound musical knowledge. The importance of music for Jean-François Lyotard, however, has not been adequately recognized until today; neither has the fact that Lyotard was strongly influenced by Adorno. Tracing back the development of Lyotard’s thought from his “pagan” beginnings to his late conception of an informal art, the book intends to initiate an adequate reception of Lyotard’s œuvre from a musicological viewpoint. Moreover, as a first comprehensive comparison of Lyotard‘s and Adorno’s theories on art, the study contributes to the exploration of Critical Theory’s reception in France. Es ist allgemein bekannt, dass Theodor W. Adorno seine ästhetische Theorie auf Basis profunder Musikkenntnisse entwickelte. Dass die Musik auch für Jean-François Lyotard von besonderer Wichtigkeit war und er stark von Adorno beeinflusst wurde, wurde bis heute allerdings kaum entsprechend wahrgenommen. Durch den Vergleich mit der Musikphilosophie Adornos intendiert dieses Buch eine adäquate Rezeption des Werkes von Lyotard aus musikwissenschaftlicher Sicht zu initiieren, wobei es dessen Entwicklung von den "heidnischen" Anfängen bis zur späten Konzeption einer "informellen" Kunst nachzeichnet. Als erster umfassender Vergleich der Ästhetik beider Denker leistet es auch einen Beitrag zur Erforschung der Rezeption der Kritischen Theorie in Frankreich. 2021-02-10T12:58:18Z 2014-12-31 23:55:55 2020-01-30 13:56:31 2020-04-01T14:41:37Z 2014 book 496956 OCN: 952619542 http://library.oapen.org/handle/20.500.12657/33371 9783495485293 https://directory.doabooks.org/handle/20.500.12854/28169 ger open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf Verlag Karl Alber 10.26530/oapen_496956 10.26530/oapen_496956 8ab7d352-2716-4e34-be29-8647d3125c31 Austrian Science Fund 26ae1657-c58f-4f1d-a392-585ee75c293e 9783495485293 Austrian Science Fund (FWF) 497 Freiburg PUB 7 open access
spellingShingle Adorno
Lyotard
Aesthetics
Postmodernism
Modernism
Contemporary Music
Adorno
Lyotard
Ästhetik
Postmoderne
Moderne
zeitgenössische Musik
Immanuel Kant
Jean-François Lyotard
München
Philosophie
Theodor W. Adorno
Verlag Herder
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music
Kogler, Susanne
Adorno versus Lyotard
title Adorno versus Lyotard
title_full Adorno versus Lyotard
title_fullStr Adorno versus Lyotard
title_full_unstemmed Adorno versus Lyotard
title_short Adorno versus Lyotard
title_sort adorno versus lyotard
topic Adorno
Lyotard
Aesthetics
Postmodernism
Modernism
Contemporary Music
Adorno
Lyotard
Ästhetik
Postmoderne
Moderne
zeitgenössische Musik
Immanuel Kant
Jean-François Lyotard
München
Philosophie
Theodor W. Adorno
Verlag Herder
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music
topic_facet Adorno
Lyotard
Aesthetics
Postmodernism
Modernism
Contemporary Music
Adorno
Lyotard
Ästhetik
Postmoderne
Moderne
zeitgenössische Musik
Immanuel Kant
Jean-François Lyotard
München
Philosophie
Theodor W. Adorno
Verlag Herder
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music
url 496956
work_keys_str_mv AT koglersusanne adornoversuslyotard