Re-Reading Hanslick’s Aesthetics
This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick’s reception, which developed distinctly as part of different...
Sábháilte in:
| Príomhchruthaitheoir: | |
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| Formáid: | Online |
| Teanga: | Gearmáinis |
| Foilsithe / Cruthaithe: |
Hollitzer
2021
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| Ábhair: | |
| Rochtain ar líne: | 1004916 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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| _version_ | 1869518902866739200 |
|---|---|
| author | Wilfing, Alexander |
| author_browse | Wilfing, Alexander |
| author_facet | Wilfing, Alexander |
| author_sort | Wilfing, Alexander |
| collection | Directory of Open Access Books |
| description | This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick’s reception, which developed distinctly as part of different academic disciplines (history of art, musicology, philosophy of music). Moreover, this study explores the function Hanslick’s argument attained in modern debates of New Musicology and Anglo-american aesthetics, which cast new light upon the interpretation of Hanslick’s stances on the relation between emotion and music. |
| format | Online |
| id | doab-20.500.12854ir-28177 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Hollitzer |
| publisherStr | Hollitzer |
| record_format | ojs |
| spelling | doab-20.500.12854ir-281772024-06-14T04:04:50Z Re-Reading Hanslick’s Aesthetics Wilfing, Alexander Lodes, Birgit Calella, Michele Eduard Hanslick, formalism, aesthetics of music, music and emotion, theory of emotion, analytical philosophy, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell Eduard Hanslick, Formalismus, Musikästhetik, Musik und Gefühl, Emotionstheorie, analytische Philosophie, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick’s reception, which developed distinctly as part of different academic disciplines (history of art, musicology, philosophy of music). Moreover, this study explores the function Hanslick’s argument attained in modern debates of New Musicology and Anglo-american aesthetics, which cast new light upon the interpretation of Hanslick’s stances on the relation between emotion and music. Diese Studie untersucht die Rezeption Eduard Hanslicks im englischen Sprachraum, von den Anfängen im 19. Jahrhundert bis hin zur analytischen Musikästhetik. Dabei lotet sie vor allem die diskursiven Bedingungen der Hanslick-Rezeption aus, die in den verschiedenen Fachrichtungen (Kunstgeschichte, Musikwissenschaft, Musikphilosophie) äußerst konträr sind. Sie fokussiert dabei besonders auf Hanslicks Funktion in aktuellen Debatten der New Musicology und der anglophonen Musikästhetik, die ein neues Licht auf die Interpretation von Hanslicks Argument zur Verbindung von Gefühl und Musik wirft. 2021-02-10T12:58:18Z 2019-05-11 03:00:57 2020-04-01T10:29:17Z 2019 book 1004916 OCN: 1105806292 http://library.oapen.org/handle/20.500.12657/25173 https://directory.doabooks.org/handle/20.500.12854/28177 ger open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/25173/1/1004916.pdf https://library.oapen.org/bitstream/20.500.12657/25173/1/1004916.pdf https://library.oapen.org/bitstream/20.500.12657/25173/1/1004916.pdf https://library.oapen.org/bitstream/20.500.12657/25173/1/1004916.pdf https://library.oapen.org/bitstream/20.500.12657/25173/1/1004916.pdf Hollitzer c8eee496-8ca2-48e6-8649-64e1ed2ac6de Austrian Science Fund 26ae1657-c58f-4f1d-a392-585ee75c293e Austrian Science Fund (FWF) 433 PUB 536 open access |
| spellingShingle | Eduard Hanslick, formalism, aesthetics of music, music and emotion, theory of emotion, analytical philosophy, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell Eduard Hanslick, Formalismus, Musikästhetik, Musik und Gefühl, Emotionstheorie, analytische Philosophie, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell Wilfing, Alexander Re-Reading Hanslick’s Aesthetics |
| title | Re-Reading Hanslick’s Aesthetics |
| title_full | Re-Reading Hanslick’s Aesthetics |
| title_fullStr | Re-Reading Hanslick’s Aesthetics |
| title_full_unstemmed | Re-Reading Hanslick’s Aesthetics |
| title_short | Re-Reading Hanslick’s Aesthetics |
| title_sort | re reading hanslick s aesthetics |
| topic | Eduard Hanslick, formalism, aesthetics of music, music and emotion, theory of emotion, analytical philosophy, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell Eduard Hanslick, Formalismus, Musikästhetik, Musik und Gefühl, Emotionstheorie, analytische Philosophie, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell |
| topic_facet | Eduard Hanslick, formalism, aesthetics of music, music and emotion, theory of emotion, analytical philosophy, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell Eduard Hanslick, Formalismus, Musikästhetik, Musik und Gefühl, Emotionstheorie, analytische Philosophie, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell |
| url | 1004916 |
| work_keys_str_mv | AT wilfingalexander rereadinghanslicksaesthetics |