The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries

This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents....

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Հրապարակվել է: Taylor & Francis 2021
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Առցանց հասանելիություն:https://library.oapen.org/handle/20.500.12657/45981
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collection Directory of Open Access Books
description This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies.
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language eng
publishDate 2021
publishDateRange 2021
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publisher Taylor & Francis
publisherStr Taylor & Francis
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spelling doab-20.500.12854ir-284622025-06-11T05:35:20Z The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries Jurkowlaniec, Grażyna Herman, Magdalena art history; Renaissance; printed images; visual culture; European art history thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. 2021-02-10T13:24:19Z 2021-02-10T13:24:19Z 2021-01-06T14:04:36Z 2020 book https://library.oapen.org/handle/20.500.12657/45981 9780367539405 9781003029199 9780367465117 9780367539405 9781003029199 https://directory.doabooks.org/handle/20.500.12854/28462 eng open access Taylor & Francis Routledge fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Chapter Introduction People Between Multiplied Things and Modified Images 9780367539405 9781003029199 9780367465117 9780367539405 9781003029199 Routledge 324 open access
spellingShingle art history; Renaissance; printed images; visual culture; European art history
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
title The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
title_full The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
title_fullStr The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
title_full_unstemmed The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
title_short The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
title_sort reception of the printed image in the fifteenth and sixteenth centuries
topic art history; Renaissance; printed images; visual culture; European art history
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
topic_facet art history; Renaissance; printed images; visual culture; European art history
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
url https://library.oapen.org/handle/20.500.12657/45981