Animism, Materiality, and Museums

Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly expl...

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Κύριος συγγραφέας: Peers, Glenn
Μορφή: Online
Γλώσσα:Αγγλικά
Έκδοση: Arc Humanities Press 2021
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Διαθέσιμο Online:ONIX_20201207_9781942401742_3
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author Peers, Glenn
author_browse Peers, Glenn
author_facet Peers, Glenn
author_sort Peers, Glenn
collection Directory of Open Access Books
description Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly explanations, the icon is a window onto the divine: it focuses and directs our minds to a higher understanding of God and saints. Despite their material richness, icons are understood to efface their own materiality, thereby enabling us to do the same. That the privileged relation of image to God is based on its capacity for material self-effacement is the basis for all theology of the icon and all art-historical description. It gets more complicated than this definition, to be sure, but the icon is positioned in this way in most straightforward accounts, whether devotional or scholarly. My position is to undermine the transcendentalizing determination of modern theology and aesthetics, and to lean very heavily on the materiality of these things to the point of allowing them, to the degree I can, a voice and life of their own.
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spelling doab-20.500.12854ir-288622025-07-21T15:58:41Z Animism, Materiality, and Museums Peers, Glenn Byzantine exhibition animism art christian animism museum experience visitor experience thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 Among our most cherished modern assumptions is our distance from the material world we claim to love or, alternately, to dominate and own. As both devotional tool and art object, the Byzantine icon is rendered complicit in this distancing. According to well-established theological and scholarly explanations, the icon is a window onto the divine: it focuses and directs our minds to a higher understanding of God and saints. Despite their material richness, icons are understood to efface their own materiality, thereby enabling us to do the same. That the privileged relation of image to God is based on its capacity for material self-effacement is the basis for all theology of the icon and all art-historical description. It gets more complicated than this definition, to be sure, but the icon is positioned in this way in most straightforward accounts, whether devotional or scholarly. My position is to undermine the transcendentalizing determination of modern theology and aesthetics, and to lean very heavily on the materiality of these things to the point of allowing them, to the degree I can, a voice and life of their own. 2021-02-10T13:27:47Z 2021-02-10T13:27:47Z 2020-12-07T09:55:00Z 2021 book ONIX_20201207_9781942401742_3 OCN: 1235838745 https://library.oapen.org/handle/20.500.12657/43193 https://directory.doabooks.org/handle/20.500.12854/28862 eng Collection Development, Cultural Heritage, and Digital Humanities open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/43193/1/9781942401742.pdf https://library.oapen.org/bitstream/20.500.12657/43193/1/9781942401742.pdf https://library.oapen.org/bitstream/20.500.12657/43193/1/9781942401742.pdf Arc Humanities Press Arc Humanities Press 10.17302/CDH-9781942401742 10.17302/CDH-9781942401742 f13fc637-eaa8-4720-b1fa-dafaccb9c6d2 Arc Humanities Press 167 open access
spellingShingle Byzantine
exhibition
animism
art
christian animism
museum experience
visitor experience
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
Peers, Glenn
Animism, Materiality, and Museums
title Animism, Materiality, and Museums
title_full Animism, Materiality, and Museums
title_fullStr Animism, Materiality, and Museums
title_full_unstemmed Animism, Materiality, and Museums
title_short Animism, Materiality, and Museums
title_sort animism materiality and museums
topic Byzantine
exhibition
animism
art
christian animism
museum experience
visitor experience
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
topic_facet Byzantine
exhibition
animism
art
christian animism
museum experience
visitor experience
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
url ONIX_20201207_9781942401742_3
work_keys_str_mv AT peersglenn animismmaterialityandmuseums