封面图片

Chapter 9 Protestant place, Protestant props in the plays of Nicholas Grimald

Elisabeth Dutton focuses on how Reformation Protestant writers asserted the historicity of scriptural events. She asks a crucial question: How do the Protestant playwrights manage to create any form of ‘scene’ by which their audiences might be able to situate themselves in these events? Dutton argue...

全面介绍

Saved in:
主要作者: Dutton, Elisabeth
格式: Online
语言:英语
出版: Manchester University Press 2021
主题:
protestant drama
Reformation
Nicholas Grimald
props
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVC Criticism and exegesis of sacred texts
在线阅读:http://library.oapen.org/handle/20.500.12657/37341
标签: 添加标签
没有标签, 成为第一个标记此记录!
总结:Elisabeth Dutton focuses on how Reformation Protestant writers asserted the historicity of scriptural events. She asks a crucial question: How do the Protestant playwrights manage to create any form of ‘scene’ by which their audiences might be able to situate themselves in these events? Dutton argues that to encourage these audiences, these playwrights – specifically John Bale, John Foxe, and Nicholas Grimald – used the accessible, physical reality of props to thereby overcome the challenges of presenting a Protestant history.

相似书籍