The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames
Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of “modeling” in the h...
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| 格式: | Online |
| 語言: | 英语 |
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University of Tartu Press
2021
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| 主題: | |
| 在線閱讀: | 421498 |
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| _version_ | 1869519293676257280 |
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| author | Grishakova, Marina |
| author_browse | Grishakova, Marina |
| author_facet | Grishakova, Marina |
| author_sort | Grishakova, Marina |
| collection | Directory of Open Access Books |
| description | Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of “modeling” in the humanities, theory of mimesis and the function of experimental literature in (post)modernist culture. By drawing on Y. Lotman’s conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche’s and Bergson’s philosophy of time, Minkowski’s research on the psychopathological types of temporality) and their relevance to Nabokov’s fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual “prostheses” and “machines” (Eco), particularly the “camera vision” metaphor, its relation to Bergson’s notion of automatism and the popular idea of the criminal use of hypnosis. Vision is thematized also as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty’s dilemma of “autonomy” and “solidarity” as applied to Nabokov’s work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader’s modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning. (This title is the second revised edition, available online only. The web shop refers to the first edition, which is available as a paper monograph.) |
| format | Online |
| id | doab-20.500.12854ir-30118 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | University of Tartu Press |
| publisherStr | University of Tartu Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-301182025-07-21T15:57:57Z The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames Grishakova, Marina time and space in literature and philosophy semiotics Vladimir Nabokov semiotic models narratology Russian literature modernism visual studies American literature metaphor thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of “modeling” in the humanities, theory of mimesis and the function of experimental literature in (post)modernist culture. By drawing on Y. Lotman’s conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche’s and Bergson’s philosophy of time, Minkowski’s research on the psychopathological types of temporality) and their relevance to Nabokov’s fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual “prostheses” and “machines” (Eco), particularly the “camera vision” metaphor, its relation to Bergson’s notion of automatism and the popular idea of the criminal use of hypnosis. Vision is thematized also as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty’s dilemma of “autonomy” and “solidarity” as applied to Nabokov’s work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader’s modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning. (This title is the second revised edition, available online only. The web shop refers to the first edition, which is available as a paper monograph.) 2021-02-10T12:58:18Z 2012-07-12 00:00:00 2020-04-01T15:18:48Z 2012 book 421498 OCN: 808385820 1406-4278;1406-4278 (print);2228-2149 (online http://library.oapen.org/handle/20.500.12657/34517 9789949113064 https://directory.doabooks.org/handle/20.500.12854/30118 eng Tartu Semiotics Library open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/34517/1/421498.pdf https://library.oapen.org/bitstream/20.500.12657/34517/1/421498.pdf https://library.oapen.org/bitstream/20.500.12657/34517/1/421498.pdf https://library.oapen.org/bitstream/20.500.12657/34517/1/421498.pdf https://library.oapen.org/bitstream/20.500.12657/34517/1/421498.pdf https://library.oapen.org/bitstream/20.500.12657/34517/1/421498.pdf University of Tartu Press 10.26530/OAPEN_421498 10.26530/OAPEN_421498 b48bd099-0b11-4f84-85f9-dbd7752d9f86 9789949113064 322 Tartu open access |
| spellingShingle | time and space in literature and philosophy semiotics Vladimir Nabokov semiotic models narratology Russian literature modernism visual studies American literature metaphor thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology Grishakova, Marina The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames |
| title | The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames |
| title_full | The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames |
| title_fullStr | The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames |
| title_full_unstemmed | The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames |
| title_short | The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames |
| title_sort | models of space time and vision in v nabokov s fiction narrative strategies and cultural frames |
| topic | time and space in literature and philosophy semiotics Vladimir Nabokov semiotic models narratology Russian literature modernism visual studies American literature metaphor thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology |
| topic_facet | time and space in literature and philosophy semiotics Vladimir Nabokov semiotic models narratology Russian literature modernism visual studies American literature metaphor thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology |
| url | 421498 |
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