Double Jeopardy
Traditionally, criticism of plays from the Yüan Dynasty (1260–1368) has been dominated by the so-called poetic and socialist schools. Double Jeopardy instead rigorously evaluates a group of plays by aesthetic criteria generated from within the works themselves. It examines seven courtroom plays with...
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| Autors principals: | , |
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| Format: | Online |
| Idioma: | anglès |
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University of Michigan Press
2021
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| Accés en línia: | ONIX_20200923_9780472901326_28 |
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| _version_ | 1869523437013172224 |
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| author | Perng, Ching-Hsi Ching-Hsi, Perng |
| author_browse | Ching-Hsi, Perng Perng, Ching-Hsi |
| author_facet | Perng, Ching-Hsi Ching-Hsi, Perng |
| author_sort | Perng, Ching-Hsi |
| collection | Directory of Open Access Books |
| description | Traditionally, criticism of plays from the Yüan Dynasty (1260–1368) has been dominated by the so-called poetic and socialist schools. Double Jeopardy instead rigorously evaluates a group of plays by aesthetic criteria generated from within the works themselves. It examines seven courtroom plays with special attention to language and the manipulation of dramatic characters—undoubtedly the most reliable indicators of the playwright’s strength and craftsmanship in such a stylized art form as Yüan tsa-chü drama. The analytical method adopted in Double Jeopardy is textual explication of the conventions of genre and the individual characteristics of each play. The innovation and creative vitality of each playwright emerges through close scrutiny of selected conventional aspects of courtroom dramas: the functions and placement patterns of lyric, verse, and prose as well as the custom of a single singing role and its implication for the presentation of dramatis personae. Because Yüan drama is driven by conventions, Perng demonstrates a method that can be applied not just to judgment reversal plays but to Yüan dramatic criticism as a whole. In pursuing a method of textual explication, Perng provides a basis on which a larger framework of criticism of Yüan drama may be built. |
| format | Online |
| id | doab-20.500.12854ir-30213 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | University of Michigan Press |
| publisherStr | University of Michigan Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-302132025-07-30T10:21:48Z Double Jeopardy Perng, Ching-Hsi Ching-Hsi, Perng History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art Traditionally, criticism of plays from the Yüan Dynasty (1260–1368) has been dominated by the so-called poetic and socialist schools. Double Jeopardy instead rigorously evaluates a group of plays by aesthetic criteria generated from within the works themselves. It examines seven courtroom plays with special attention to language and the manipulation of dramatic characters—undoubtedly the most reliable indicators of the playwright’s strength and craftsmanship in such a stylized art form as Yüan tsa-chü drama. The analytical method adopted in Double Jeopardy is textual explication of the conventions of genre and the individual characteristics of each play. The innovation and creative vitality of each playwright emerges through close scrutiny of selected conventional aspects of courtroom dramas: the functions and placement patterns of lyric, verse, and prose as well as the custom of a single singing role and its implication for the presentation of dramatis personae. Because Yüan drama is driven by conventions, Perng demonstrates a method that can be applied not just to judgment reversal plays but to Yüan dramatic criticism as a whole. In pursuing a method of textual explication, Perng provides a basis on which a larger framework of criticism of Yüan drama may be built. 2021-02-10T13:39:18Z 2021-02-10T13:39:18Z 2020-09-23T15:16:16Z 2020 book ONIX_20200923_9780472901326_28 OCN: 1184508806 https://library.oapen.org/handle/20.500.12657/41832 https://directory.doabooks.org/handle/20.500.12854/30213 eng Michigan Monographs In Chinese Studies open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/41832/1/9780472901326.pdf https://library.oapen.org/bitstream/20.500.12657/41832/1/9780472901326.pdf https://library.oapen.org/bitstream/20.500.12657/41832/1/9780472901326.pdf University of Michigan Press U OF M CENTER FOR CHINESE STUDIES 10.3998/mpub.19158 10.3998/mpub.19158 b7359529-e5f7-4510-a59f-d7dafa1d4d17 National Endowment for the Humanities Andrew W. Mellon Foundation 0314e571-4102-4526-b014-3ed8f2d6750a 0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1 U OF M CENTER FOR CHINESE STUDIES 195 Ann Arbor [grantnumber unknown] [grantnumber unknown] open access |
| spellingShingle | History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art Perng, Ching-Hsi Ching-Hsi, Perng Double Jeopardy |
| title | Double Jeopardy |
| title_full | Double Jeopardy |
| title_fullStr | Double Jeopardy |
| title_full_unstemmed | Double Jeopardy |
| title_short | Double Jeopardy |
| title_sort | double jeopardy |
| topic | History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art |
| topic_facet | History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art |
| url | ONIX_20200923_9780472901326_28 |
| work_keys_str_mv | AT perngchinghsi doublejeopardy AT chinghsiperng doublejeopardy |