Luminol Theory

Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood....

Повний опис

Збережено в:
Бібліографічні деталі
Автор: Joyce, Laura E.
Формат: Online
Мова:Англійська
Опубліковано: punctum books 2021
Предмети:
Онлайн доступ:1004644
Теги: Додати тег
Немає тегів, Будьте першим, хто поставить тег для цього запису!
_version_ 1869518752106676224
author Joyce, Laura E.
author_browse Joyce, Laura E.
author_facet Joyce, Laura E.
author_sort Joyce, Laura E.
collection Directory of Open Access Books
description Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood. Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist ‘science’ of eugenics. Luminol Theory investigates the possibility of using a tool of the state in subversive, or radical, ways. By introducing luminol as an agent of forensic inquiry, Luminol Theory approaches the exploratory stages that a crime scene investigation might take, exploring experimental literature as though these texts were ‘crime scenes’ in order to discover what this deeply strange object can tell us about crime, death, and history, to make visible violent crimes, and to offer a tangible encounter with death and finitude. At the luminol-drenched crime scene, flashes of illumination throw up words, sentences, and fragments that offer luminous, strange glimpses, bobbing up from below their polished surfaces. When luminol shines its light, it reveals, it is magical, it is prescient, and it has a nasty allure
format Online
id doab-20.500.12854ir-30337
institution Directory of Open Access Books
language eng
publishDate 2021
publishDateRange 2021
publishDateSort 2021
publisher punctum books
publisherStr punctum books
record_format ojs
spelling doab-20.500.12854ir-303372025-07-30T10:21:02Z Luminol Theory Joyce, Laura E. criminology crime studies forensic anthropology horror true crime thema EDItEUR::L Law thema EDItEUR::L Law Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood. Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist ‘science’ of eugenics. Luminol Theory investigates the possibility of using a tool of the state in subversive, or radical, ways. By introducing luminol as an agent of forensic inquiry, Luminol Theory approaches the exploratory stages that a crime scene investigation might take, exploring experimental literature as though these texts were ‘crime scenes’ in order to discover what this deeply strange object can tell us about crime, death, and history, to make visible violent crimes, and to offer a tangible encounter with death and finitude. At the luminol-drenched crime scene, flashes of illumination throw up words, sentences, and fragments that offer luminous, strange glimpses, bobbing up from below their polished surfaces. When luminol shines its light, it reveals, it is magical, it is prescient, and it has a nasty allure 2021-02-10T12:58:18Z 2019-03-26 23:55 2020-01-23 14:09:07 2020-04-01T10:39:53Z 2017 book 1004644 OCN: 1048180585 http://library.oapen.org/handle/20.500.12657/25451 9781947447134 9781947447127 https://directory.doabooks.org/handle/20.500.12854/30337 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/25451/1/1004644.pdf https://library.oapen.org/bitstream/20.500.12657/25451/1/1004644.pdf https://library.oapen.org/bitstream/20.500.12657/25451/1/1004644.pdf https://library.oapen.org/bitstream/20.500.12657/25451/1/1004644.pdf https://library.oapen.org/bitstream/20.500.12657/25451/1/1004644.pdf punctum books 10.21983/P3.0177.1.00 10.21983/P3.0177.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9781947447134 9781947447127 ScholarLed 138 Brooklyn, NY open access
spellingShingle criminology
crime studies
forensic anthropology
horror
true crime
thema EDItEUR::L Law
thema EDItEUR::L Law
Joyce, Laura E.
Luminol Theory
title Luminol Theory
title_full Luminol Theory
title_fullStr Luminol Theory
title_full_unstemmed Luminol Theory
title_short Luminol Theory
title_sort luminol theory
topic criminology
crime studies
forensic anthropology
horror
true crime
thema EDItEUR::L Law
thema EDItEUR::L Law
topic_facet criminology
crime studies
forensic anthropology
horror
true crime
thema EDItEUR::L Law
thema EDItEUR::L Law
url 1004644
work_keys_str_mv AT joycelaurae luminoltheory