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Cultural Convergence

Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popu...

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Format: Online
Jezik:engleski
Izdano: Springer Nature 2021
Teme:
Theatre History
National/Regional Theatre and Performance
British and Irish Literature
National and Regional Theatre and Performance
Literature
Dublin Gate Theatre
cultural exchange
Ireland
avant-garde
North America
experimental
exchange
interaction
acculturation
Open Access
Theatre studies
Literature: history & criticism
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
Online pristup:ONIX_20201113_9783030575625_33
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Sažetak:Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.

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