Visuelle Medien im christlichen Kult

The concepts of art history were developed in the nineteenth century. This can inhibit dialogue with neighbouring disciplines. The concept “medium”, which belongs to the late twentieth century, can provide assistance and connect the argument of art history to the contemporary state of consciousness...

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Հիմնական հեղինակ: Schwarz, Michael Viktor
Ձևաչափ: Online
Լեզու:գերմաներեն
Հրապարակվել է: Böhlau 2021
Խորագրեր:
Առցանց հասանելիություն:574817
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author Schwarz, Michael Viktor
author_browse Schwarz, Michael Viktor
author_facet Schwarz, Michael Viktor
author_sort Schwarz, Michael Viktor
collection Directory of Open Access Books
description The concepts of art history were developed in the nineteenth century. This can inhibit dialogue with neighbouring disciplines. The concept “medium”, which belongs to the late twentieth century, can provide assistance and connect the argument of art history to the contemporary state of consciousness at least in the cultural sciences dealing with communication. At the centre of the book lie questions of the use and effect of objects. Dealing with a series of high-ranking art works, an observational method is practised that is both historically founded and compatible with modern discourses. The six case studies address the Naumburg Stifterfiguren, Pietro Lorenzetti’s frescos in Assisi, the Parament of Narbonne, the tomb of Archbishop Chichele in Canterbury, Raphael’s Sistine Madonna in Dresden, and the self-portraits of Anton Pilgram in St Stephen’s Church in Vienna.
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spelling doab-20.500.12854ir-316222025-07-30T10:20:43Z Visuelle Medien im christlichen Kult Schwarz, Michael Viktor Art history medium liturgy Kunstgeschichte Medium Liturgie Kult Medienkunst thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art The concepts of art history were developed in the nineteenth century. This can inhibit dialogue with neighbouring disciplines. The concept “medium”, which belongs to the late twentieth century, can provide assistance and connect the argument of art history to the contemporary state of consciousness at least in the cultural sciences dealing with communication. At the centre of the book lie questions of the use and effect of objects. Dealing with a series of high-ranking art works, an observational method is practised that is both historically founded and compatible with modern discourses. The six case studies address the Naumburg Stifterfiguren, Pietro Lorenzetti’s frescos in Assisi, the Parament of Narbonne, the tomb of Archbishop Chichele in Canterbury, Raphael’s Sistine Madonna in Dresden, and the self-portraits of Anton Pilgram in St Stephen’s Church in Vienna. Die Konzepte der Kunstgeschichte sind im 19. Jahrhundert entwickelt worden. Das erschwert den Dialog mit vielen Nachbardisziplinen. Das Konzept "Medium", das dem ausgehenden 20. Jahrhundert angehört, soll dem abhelfen und das Argument der Kunstgeschichte mit dem gegenwärtigen Bewusstseinsstand mindestens in denjenigen Kulturwissenschaften verknüpfen, die sich mit Kommunikation befassen. Im Mittelpunkt des Buches stehen die Fragen nach Gebrauch und Wirkung der Objekte. Eingeübt wird eine Betrachtungsweise von hochrangigen Kunstwerken, die sowohl historisch fundiert als auch modernen Diskursen kompatibel ist. Die sechs Fallstudien befassen sich mit den Naumburger Stifterfiguren, Pietro Lorenzettis Fresken in Assisi, dem Parament von Narbonne, dem Grabmal des Erzbischofs Chichele in Canterbury, Raphaels Sixtinischer Madonna in Dresden, und den Selbstbildnissen Anton Pilgrams in der Wiener Stephankirche. 2021-02-10T12:58:18Z 2015-12-31 23:55:55 2020-01-29 16:09:11 2020-04-01T14:30:46Z 2002 book 574817 OCN: 606869338 http://library.oapen.org/handle/20.500.12657/33078 3205993241 https://directory.doabooks.org/handle/20.500.12854/31622 ger open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf https://library.oapen.org/bitstream/20.500.12657/33078/1/574817.pdf Böhlau 10.26530/oapen_574817 10.26530/oapen_574817 Austrian Science Fund 26ae1657-c58f-4f1d-a392-585ee75c293e 3205993241 Austrian Science Fund (FWF) Böhlau 330 D 3326 open access
spellingShingle Art history
medium
liturgy
Kunstgeschichte
Medium
Liturgie
Kult
Medienkunst
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
Schwarz, Michael Viktor
Visuelle Medien im christlichen Kult
title Visuelle Medien im christlichen Kult
title_full Visuelle Medien im christlichen Kult
title_fullStr Visuelle Medien im christlichen Kult
title_full_unstemmed Visuelle Medien im christlichen Kult
title_short Visuelle Medien im christlichen Kult
title_sort visuelle medien im christlichen kult
topic Art history
medium
liturgy
Kunstgeschichte
Medium
Liturgie
Kult
Medienkunst
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
topic_facet Art history
medium
liturgy
Kunstgeschichte
Medium
Liturgie
Kult
Medienkunst
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
url 574817
work_keys_str_mv AT schwarzmichaelviktor visuellemedienimchristlichenkult