Mallarmé devant ses contemporains

The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print, some were laudatory, others claime...

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Autor principal: S. Hambly, Peter
Formato: Online
Idioma:francês
Publicado em: University of Adelaide Press 2021
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Acesso em linha:560337
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author S. Hambly, Peter
author_browse S. Hambly, Peter
author_facet S. Hambly, Peter
author_sort S. Hambly, Peter
collection Directory of Open Access Books
description The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print, some were laudatory, others claimed that he wished to found a poetic School of the Unintelligible. Today’s reader will find gathered here reviews published when individual works first appeared and critical texts on his work in general. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the first performances of Debussy’s Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé’s name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here.
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spelling doab-20.500.12854ir-329582025-01-22T16:40:35Z Mallarmé devant ses contemporains S. Hambly, Peter 1842-1898 history and criticism french poetry influence 19th century thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print, some were laudatory, others claimed that he wished to found a poetic School of the Unintelligible. Today’s reader will find gathered here reviews published when individual works first appeared and critical texts on his work in general. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the first performances of Debussy’s Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé’s name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here. L’œuvre de Mallarmé laissa ses premiers lecteurs perplexes et cela à une époque où les journaux et les périodiques se multipliaient. Dans le dernier quart du XIXe siècle les commentaires sur ses poèmes étaient nombreux, les uns dus à ses admirateurs, les autres à des critiques qui croyaient qu’il se voulait le fondateur d’une « école de l’inintelligible ». Sont rassemblées ici des pages qui furent publiées au moment de la parution de tel ouvrage ou des textes polémiques suscités par son œuvre en général. Parmi les aspects de son influence sur ses contemporains qui n’ont guère été évoqués jusqu’ici sont les réactions aux premières auditions du Prélude à l’Après-midi d’un faune de Debussy en 1894 et 1895 et l’usage du nom de Mallarmé à des fins de combat esthétique ou politique, en l’associant soit à Odilon Redon soit à Zola. Ici on trouve aussi des propos entendus par quelqu’un qui avait assisté à ses Mardis. 2021-02-10T12:58:18Z 2015-12-31 23:55:55 2018-06-27 14:41:01 2020-04-01T14:35:08Z 2011 book 560337 OCN: 1030819381 http://library.oapen.org/handle/20.500.12657/33162 9780980723076 https://directory.doabooks.org/handle/20.500.12854/32958 fre open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/33162/1/560337.pdf https://library.oapen.org/bitstream/20.500.12657/33162/1/560337.pdf https://library.oapen.org/bitstream/20.500.12657/33162/1/560337.pdf https://library.oapen.org/bitstream/20.500.12657/33162/1/560337.pdf https://library.oapen.org/bitstream/20.500.12657/33162/1/560337.pdf University of Adelaide Press 10.20851/mallarme 10.20851/mallarme b117e61d-8fca-494f-b82a-41c4e1dc0a46 9780980723076 153 open access
spellingShingle 1842-1898
history and criticism
french poetry
influence
19th century
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
S. Hambly, Peter
Mallarmé devant ses contemporains
title Mallarmé devant ses contemporains
title_full Mallarmé devant ses contemporains
title_fullStr Mallarmé devant ses contemporains
title_full_unstemmed Mallarmé devant ses contemporains
title_short Mallarmé devant ses contemporains
title_sort mallarme devant ses contemporains
topic 1842-1898
history and criticism
french poetry
influence
19th century
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
topic_facet 1842-1898
history and criticism
french poetry
influence
19th century
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
url 560337
work_keys_str_mv AT shamblypeter mallarmedevantsescontemporains