Shibusa: extracting beauty
Shibusa – Extracting Beauty celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonali...
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| Formato: | Online |
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| Idioma: | inglés |
| Publicado: |
University of Huddersfield Press
2021
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| Subjects: | |
| Acceso en liña: | 622955 |
| Tags: |
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| _version_ | 1869517734090375168 |
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| collection | Directory of Open Access Books |
| description | Shibusa – Extracting Beauty celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices.
The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol – the ‘hand-made machine’ - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book.
The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to ‘making things well’. It explores the balance between hand skills and technology within a work’s production with particular reference to Richard Sennett’s review of material culture in The Craftsman.
Shibusa – Extracting Beauty includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori. |
| format | Online |
| id | doab-20.500.12854ir-33084 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | University of Huddersfield Press |
| publisherStr | University of Huddersfield Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-330842025-01-22T20:24:03Z Shibusa: extracting beauty Adkins, Monty Dickens, Pip music history of arts Japanese craft Kimono Kyoto Stencil thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music Shibusa – Extracting Beauty celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol – the ‘hand-made machine’ - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to ‘making things well’. It explores the balance between hand skills and technology within a work’s production with particular reference to Richard Sennett’s review of material culture in The Craftsman. Shibusa – Extracting Beauty includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori. Published 2021-02-10T12:58:18Z 2017-01-29 00:00:00 2020-04-01T13:52:30Z 2012 book 622955 OCN: 945782642 http://library.oapen.org/handle/20.500.12657/31893 9781862181014 https://directory.doabooks.org/handle/20.500.12854/33084 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/31893/1/622955.pdf https://library.oapen.org/bitstream/20.500.12657/31893/1/622955.pdf https://library.oapen.org/bitstream/20.500.12657/31893/1/622955.pdf https://library.oapen.org/bitstream/20.500.12657/31893/1/622955.pdf https://library.oapen.org/bitstream/20.500.12657/31893/1/622955.pdf University of Huddersfield Press 10.5920/shibusa.2012 10.5920/shibusa.2012 784263b1-8ed7-4d2d-bc9e-a497721833b9 9781862181014 97 Huddersfield open access |
| spellingShingle | music history of arts Japanese craft Kimono Kyoto Stencil thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music Shibusa: extracting beauty |
| title | Shibusa: extracting beauty |
| title_full | Shibusa: extracting beauty |
| title_fullStr | Shibusa: extracting beauty |
| title_full_unstemmed | Shibusa: extracting beauty |
| title_short | Shibusa: extracting beauty |
| title_sort | shibusa extracting beauty |
| topic | music history of arts Japanese craft Kimono Kyoto Stencil thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music |
| topic_facet | music history of arts Japanese craft Kimono Kyoto Stencil thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AV Music |
| url | 622955 |